Forward a Century

The filmmaker Jeppe Rønde has invited 10 of the world's foremost researchers - and a robot! - to rethink our relationship with technology and its dilemmas from the outside. Philosophers, anthropologists, archaeologists and programmers show us through their thought experiments that our relationship with technology is just as much about our relationship with ourselves.

A look at the destruction that follows the breaking of long-neglected dikes and the measures being taken to prevent future problems.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.

A feature animated-documentary that focuses on sex and romantic connections featuring 21 diverse interviews with people from a wide range of genders, cultural backgrounds, abilities, and sexual orientations as they discuss Sex, Monogamy, Fear and Technology. The film is also collaboration of our production staff and 17 animators from 10 countries.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

A 1974 documentary in which comedian Dave Allen meets a variety of eccentrics including Alexander Stuart Wortley who lives in a box on wheels, a cowboy vicar and the artist/filmmaker Bruce Lacey showing his set-up where he pretends to fly a Lancaster bomber in his garage.

A story about people whose lives are connected by typewriters. A meditation on creativity and technology featuring Tom Hanks, John Mayer, Sam Shepard, David McCullough and others.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

By observing the technological developments of artificial intelligence in several countries, this film sheds light on the advantages and limits of algorithms and their repercussions on the lives of citizens. Whether at the level of the State, the police, universities, or companies, artificial intelligences should be used as a tool, but very often become a substitute for the work of the individual. There are many abuses: manipulations, addictions, or centralization of power. What can governments and States do to best regulate these technological advances?

Chemical engineer and inventor Maria Telkes worked for nearly 50 years to harness the power of the sun, designing and building the world's first successful solar-heated modern residence and identifying a new chemical that could store solar heat like a battery. Telkes was undercut and thwarted by her (male) boss and colleagues at MIT, but she persevered. Upon her death in 1995 Telkes held more than 20 patents, and now she is recognized as a visionary pioneer in the field of sustainable energy whose work continues to shape how we power our lives today.