Ich habe meine Pflicht getan

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A documentary about World War II, also known as the "Holy War" while Romania was an ally to Nazi Germany. The propagandistic nature of the film is evident through its overt anti-semitism and ultra-nationalist tone.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.

Short subject on how fashion is created- not by the great couturiers, but on the street.

Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

Discovering Paris under the German occupation through the story of an SS soldier and more generally of Wehrmacht soldiers allows us to follow the daily life on the German side. These soldiers enjoyed privileged status, during their stay, they were led to believe that they belong to a social elite, a status unreachable back in Germany during peacetime. And who better than a German who has led such lifestyle to serve as a common thread and tell this story?

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.