End Times 2023 - Movies (Nov 17th)
Ozi Voice of the Forest 2023 - Movies (Nov 17th)
Black Bags 2023 - Movies (Nov 17th)
Jingle Bell Run 2024 - Movies (Nov 17th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Titanic The Musical 2023 - Movies (Nov 16th)
Silent Bite 2024 - Movies (Nov 16th)
Jake Paul vs. Mike Tyson 2024 - Movies (Nov 16th)
Christmas with the Singhs 2024 - Movies (Nov 16th)
Woman of the Hour 2023 - Movies (Nov 16th)
A Missed Connection 2024 - Movies (Nov 16th)
Plastic People 2024 - Movies (Nov 16th)
A Reason for the Season 2024 - Movies (Nov 16th)
Unwrapping Christmas Mias Prince 2024 - Movies (Nov 16th)
Team Bride 2023 - Movies (Nov 15th)
How to Win a Prince 2023 - Movies (Nov 15th)
Wolf Hall - (Nov 17th)
Countryfile - (Nov 17th)
Sunday Brunch - (Nov 17th)
Love Your Weekend with Alan Titchmarsh - (Nov 17th)
Strictly Come Dancing- It Takes Two - (Nov 17th)
EXOs Travel the World on a Ladder - (Nov 17th)
Inside with Jen Psaki - (Nov 17th)
MotoGP Unlimited - (Nov 17th)
Girl Meets Farm - (Nov 17th)
The Great Indian Kapil Show - (Nov 17th)
Roadkill - (Nov 17th)
Inside the NFL - (Nov 17th)
A Virtuous Business - (Nov 17th)
Finding Mr. Christmas - (Nov 17th)
Invincible Fight Girl - (Nov 17th)
Have I Got News for You - (Nov 17th)
Harlem Globetrotters- Play It Forward - (Nov 17th)
Earth Odyssey with Dylan Dreyer - (Nov 17th)
The Kelly Clarkson Show - (Nov 17th)
Dessert Masters - (Nov 17th)
Lots of horror franchises eventually reach the stage where they just kind of go "You know what? Fuck it. You're going to space." That direction is a little more natural in _Critters_ than with other series, seeing as the titular badguys are themselves from space. But it's still a little odd to jump forwards in time like they did. Seems like the sort of thing that would kill forward momentum in the series. Which I guess it did, seeing as it took another 27 years for another _Critters_ to come out after this one, when we had the first four come out in a six year stretch. I guess it was more important to have humans in space to save money on this film than make another one. When that human cast contains both Brad Dourif and Angela Bassett though, it's hard to complain too much. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Why? Why drive this into the ground? This franchise has pretty much followed the Leprechaun formula, with it now being in space. Next one, the Crites will probably wind up in the Hood. It's just boring and makes no sense. The characters are dull and two-dimensional. Drastic character changes from previous installments make no sense. Even the Crites don't feel that threatening, despite the first death being a bit more gruesome than any of the previous ones in the entire series. Actually, I think that's part of the problem with this series' trajectory. In the first movie, the Crites are the main bad guy and the main problem to deal with. After that, it almost feels like they're there to set things off, but they aren't the main problem the characters have to deal with any more. There are other frequently more pressing problems and threats that have to be dealt with, and it seriously has taken away from their screen presence. If you're seeing this to resolve the cliffhanger from the third movie, you're honestly probably better off simply using your own imagination as to how would play out. Don't waste your time, because that's exactly what it will feel like you've been doing.
That's right. They look nothing like a piranha. But they're hungry like a piranha. Critters 4 is directed by Rupert Harvey and collectively written by Barry Opper, Joseph Lyle, and David J. Schow. It stars Don Keith Opper, Brad Dourif, Angela Bassett, Anders Hove, Terrence Mann and Paul Whitthorne. Music is by Peter Manning Robinson and cinematography by Thomas L. Callaway. The original wave of the "Critters" film series saw 4 films crammed into 6 years, with the decline in quality of each one reaching its nadir with this part 4. Gone is the funny asides that once blended seamlessly with the bloody antics of the razor teeth furballs, in place is a dull "Alien" clone that renders the Critters as bit part players in the series baring their name. In fact the makers have completely jettisoned one of their best forms of attack - the ability to fire lethal spikes from their personage. Still, the cast remains a curious point of interest, what with two Oscar nominated actors working for food. The simple spaceship interior design is effective for the "stalk the prey" story axis, and the cinematography is pleasing for genre tropes. But really this is just a completist piece, and ultimately just one for those who began watching - and having fun - back in 1986 with the first film. 3/10
man i haven't even seen the first one i just watched it for brad dourif though for someone who hasn't seen the rest of the series and doesn't really like space movies this was kinda fun SPOILER - but i'm sad in a movie about killer little creature guys that brad dourif died by laser gun?? just like that?? i don't like seeing him die in movies to start but come on at least make it cool
James Bataille is in love. He attempts to stage an elaborate motorcycle stunt to impress the girl, but when it goes sour, he ends up in prison with a 133-year sentence. Bataille escapes from behind bars to make an appointment to fix the car of music biz tycoon, as well as watch the love of his life take part in the town's annual talent show.
When calls to her grandmother go unanswered, Jamie Lowell uncovers the truth behind her mysterious disappearance.
Following World War III, four survivors at an desert military installation attempt to drive across the desolate wasteland of America to Albany, where they hope more survivors are living, using a specially built vehicles to protect themselves against the freakish weather, mutated plant and animal life, and other dangers encountered along the way.
Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't trust Sam, and Rachel can't quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.
A corporate raider and his henchman use a chanteuse to lure a scientific genius away from his employer and family.
Set in a futuristic world where the only sport that has survived in a wasted society is the brutal game known as jugging. Sallow, the leader of a rag-tag team, has played in the main Leagues before, but was cast out because of indiscretions with a lady. However now joined by a talented newcomer, Kidda, an ambitious young peasant girl he and his team find they have one last chance for glory
In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
Project Prometheus: Mission is a 2012 short film. Created as part of the viral marketing campaign for Prometheus and to promote the interactive Project Prometheus Training Center on the film's official website, the short features Weyland Corp employee Andrea Bishop (a character who does not appear in Prometheus itself) discussing the Prometheus mission and its goals. Project Prometheus: Mission was the final Prometheus short film to be released before the movie.
Weyland Industries Testimonial is a 2012 short film. Created to promote the Prometheus stand at San Diego Comic-Con 2012, the film features Weyland Corp employee Jamie Rossi (a character who does not appear in Prometheus itself) talking about her time working for the company, including her work on revolutionary nanotechnologies.
A seemingly mild mannered man - who has just murdered his entire family - quickly adopts a new identity and leaves town. After building a new relationship with a widow and her teenage daughter, he struggles to hide his true identity and maintain a grip on reality.
A team composed of an aerospace scientist, an ex-Air Force general, and an industrialist conceives an ambitious plan to land Americans on the moon. From their base in the Mojave Desert, they construct and successfully launch a spacecraft named "Luna" that contains a cargo of four astronauts. But a critical miscalculation of needed power to escape the moon's gravitational pull may put the astronauts' lives in danger.