SYNCHRONOUS

”I haven’t been in love with any of the men I have been with. I don’t know what love is.” A 66-year-old woman examines her life. We see her memories take shape through bizarre experiences at night clubs and during hotel nights spent with strangers. Those have not provided any comfort or safety for her. Rag dolls by artist Pauliina Turakka Purhonen portray the woman at the ages of 3, 5, and 60.

In China, it is hard for a divorced or widowed woman to find a good new husband, especially for those who have kids. For thousands of years, this phenomenon has been rooted in the profound Chinese culture. Though losing something, if not all, those women are still longing for love, one of the only things that can provide warmth to them. They want to give their descendants a family with a father who can fill in the gap of fatherly love. Export My Love is a cross-continent love-seeking story between the East and West. Shot in both China and America, this documentary follows four Chinese women who try to pursue love by finding U.S. husbands. Although they've never been to the U.S. before and most of them cannot speak English, they try their best to overcome these barriers and start new lives.

John Banvard and Jerry Nadeau are military veterans who served in World War II and Vietnam, respectively. John, 100, and Jerry, 72, sat down at the veterans home where they live to reflect on nearly 25 years together.

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

Christine attends her first and last prom accompanied by Martin Fredericksen