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Putting the “cool” into a big screen offering – and actually having it turn out to be cool – is often easier said than done. Attempts at accomplishing this feat in many instances turn out to be hokey, trite or mishandled, so it’s gratifying to see a filmmaker pull it off successfully. Such is the case in the latest work from director Steven Soderbergh and screenwriter David Koepp, an expertly structured, superbly executed spy thriller masterfully laced with suspense, wit, charm, class and a dash of deftly placed camp. This savvy, top-shelf story follows a group of high-ranking British intelligence officers caught up in a web of international intrigue in which carefully calculated financial, political, military and technological misdirections are at work at seemingly every turn. On top of that, this cadre of colleagues is made up of diverse individuals who are allegedly good friends and/or romantic partners, though such loyalties and confidences become expendable and are conveniently swept under the rug as “black bag” considerations when they get in the way of agency operations (or, in some cases, personal agendas). To complicate matters further, it’s not always clear which puppet masters are purportedly pulling their respective strings (or why), leading to a constant shuffling of the deck of priorities and the overall clarity of their missions. And, in making all of this clandestine subterfuge work, there’s the aforementioned cool factor that causes everything to seem so inherently logical, plausible, and, above all, entertaining. Think of this as a modern-day version of “The Ipcress File” (1965) (which is said to have inspired this release), combined with elements of “An Acceptable Loss” (2018), and you’ve got a good idea of what this one is all about. Of course, none of this would have been possible without the film’s generally crisp, on-point script and the fine performances turned in by its excellent ensemble, including Cate Blanchett, Naomie Harris, Pierce Brosnan, Regé-Jean Page, Tom Burke, Marisa Abela and Michael Fassbender (in a surprisingly effective role for once, a nuanced, understated portrayal in which he’s not constantly mugging for the camera, enabling him to come across like a latter-day young Michael Caine). This production’s creators have skillfully packed a lot of punch into the picture’s economic 1:33:00 runtime, so there’s virtually no wasted footage or extraneous material bogging down the narrative of this tale, which becomes ever-more compelling the further it plays out (though, admittedly, some of the dialogue early on in the film feels a tad cryptic and overwritten, a quality that, thankfully, dissipates quickly). “Black Bag” is another genuinely fine 2025 release, lending more credence to the hope that this could well end up being a better year for movies than its woeful predecessor (not to mention a significant step up for the creative duo of Soderbergh and Koepp compared to their most recent undercooked collaboration, “Presence,” which was released earlier this year). It’s indeed cool to be cool, and this film shows us how that’s done, a fine example that many a filmmaker could learn a lot from.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
Set between the parallel worlds of contemporary London and the futuristic faith dominated metropolis of Meanwhile City, Franklyn weaves a tale of four souls, whose lives are intertwined by fate, romance and tragedy. As these worlds collide, a single bullet determines the destiny of these four characters.
After the death of her abusive father, lonely librarian Martha finds herself caught up in a strange, sadomasochistic relationship with a monstrous husband whom she begins to suspect may be trying to murder her.
North Korea's 8th Special Forces hijack a shipment of CTX, a potent new liquid explosive, and threatens South Korea as part of a plot to re-unify the two countries. Ryu and Lee, special agents of O.P., South Korea's secret intelligence service, attempt to track down the terrorists and find the CTX. Meanwhile Hee, the 8th's ultra-bad female sniper, resurfaces to wreak havoc and haunt Ryu.
An honest marshal in a corrupt mining colony on Io, Jupiter's sunless third moon, is determined to confront a violent drug ring even though it may cost him his life. After his wife angrily deserts him, he waits alone for the arrival of killers hired by the company to eliminate him.
Jonathan Ecks, an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever, a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a "micro-device" that can be injected into victims in order to kill them at will.
When a team of techno-savvy thieves break into a high-security vault, they don't discover priceless works of art... they find a crypt unopened for 100 years.
A group of medical students discover the body of the infamous count. Soon, they find themselves in the middle of a bizarre and dangerous conflict when a shadowy figure offers them $30 million for the body so that he may harvest his blood.
Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.
The wife and mistress of a cruel school master collaborate in a carefully planned and executed scheme to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The psychological strain starts to weigh on the two women when a retired police investigator begins looking into the man's disappearance on a whim.