A Verdadeira História da Bailarina de Vermelho

The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.

Exercise in its own form of absurdism. Jokes are good if you tell them well. Strange jokes have to be told even better. The maker likes really strange jokes and that's why he practices telling them well. Man takes his injured friend to the hospital. There it becomes apparent that a leg is missing.

A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Bobby Clark and Paul McCullough take to the streets as pots and pans salesmen, wreaking havoc door to door with their demonstrations of their cookware.

A young phone sex operator named Al's career takes a strange turn as her more unpleasant clients begin dying under mysterious circumstances after speaking with her. Al is left with sudden, intense headaches after each incident, the likes of which she has never experienced before. Is this coincidence, or is she somehow causing these deaths? Al attempts to keep her grip on reality and enlists her best friend investigate-battling violent ex boyfriends and the horror of the service industry along the way

Short Film

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

The first film featuring Mildred Davis

Artist Henry is wildly jealous of his girl Flossie so when he sees her in the arms of another man he overreacts and tries to end it all in a variety of over the top ways. Even when Flossie explains he still tries to end it all until word comes that his uncle has died and left him a million.