Au cœur du Papotin

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

After traveling the globe to highlight low-tech, Corentin de Chatelperron has set himself a new challenge: to live independently, alone for four months, on a bamboo raft floating in Phang Nga Bay, Thailand. On his 70 square meter platform, the engineer, passionate about ecology and system D, puts into practice what he has learned in order to feed himself and produce his own energy.

Over the course of four months, urban Native horror director Mike J. Marin (The Smudging) met with nine Native artists to discuss their opinions on horror cinema and the horror genre and how horror films impacted them and what role Native people play in the horror filmmaking process.

A new wave of Asian horror movie filmmakers is capturing the attention of film studios desperate for box office success. From Tokyo to Hong Kong and Bangkok to Seoul, this two-part documentary describes how Asian directors have successfully married the power of local myths and superstitions with cutting-edge filming techniques and innovative storytelling, producing some of the scariest moments in the history of cinema. True Asian Horror includes scenes from The Ring - the movie voted by cinemagoers around the world as the scariest movie ever - and modern horror classics such as The Eye and Phone. Sit back as the directors of these classic films reveal how they manage to frighten the life out of their audiences and hear film critics explain why Hollywood is terrified to turn its back on Asian moviemakers whose meteoric rise to the top has been just plain scary.

The story of an extraordinary woman, marathon swimmer Beth French, attempting the world’s most extreme swimming challenge. Driven to be a role model for her autistic son, and by her battle with lifelong illness (ME), Beth confronts jellyfish, sharks, wild weather and reluctant skippers. But as her journey unfolds, dangers of the sea prove easier to conquer than upheavals of the heart.

Guy Debord's analysis of a consumer society.

On April 18, 1955, the pathologist performing the autopsy on Albert Einstein covertly steals the genius's brain, hoping to uncover the secret of brilliance. His good intentions and scientific ambitions collide with harsh realities as his world crumbles.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…