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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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“The Wrestler” (2008) Twenty years past his glory days in the mid/late 80s, a wrestler (Mickey Rourke) struggles to make ends meet in New Jersey while wrestling on the weekends, taking illegal pain-meds, pursuing a dancer at the local strip club (Marisa Tomei) and trying to reestablish a relationship with his estranged daughter (Evan Rachel Wood). This is an engrossing, but gloomy drama about the grim reality of celebrities from practically any field who are long past their prime; it just happens to be a wrestler in this case. People mock how fake wrestling is, but those talented guys bend over backwards to entertain the audience with incredibly painful stunts. The film was shot in the winter in New Jersey and this augments the bleak pall. On the female front, Marisa is absolutely stunning as Cassidy (aka Pam) and Wood is convincing as the embittered daughter. Their relationships with the protagonist are a mixture of sweet, agonizing and moving. The soundtrack features several quality songs from the 80s: "Bang Your Head," "Round and Round," "Balls to the Wall," "Animal Magnetism," "Dangerous," "Don't Know What You Got (Till It's Gone)," "Sweet Child o' Mine" and more. The movie reminded me of 80’s metal star Jon Mikl Thor and the excellent documentary “I Am Thor” (2015) and, to a lesser extent, “Anvil: The Story of Anvil” (2008). While neither of these is as melancholic as “The Wrestler,” and “I Am Thor” is sometimes laugh-out-loud amusing, they both effectively show the grey reality of former real-life celebs well past their halcyon days. The film runs 1 hour, 49 minutes. GRADE: A-
Mickey Rourke is on top-form in this depiction of fading wrestling star "Randy". Once the talk of the tour, he has fallen on hard times. His body hasn't the strength or stamina it once had and after one fairly convincing pasting in the ring he decides it is time to hang up his loincloth. Whilst his professional life was full of glamour, testosterone and showbiz, his retirement is much less so. Still needing to work, he takes a job in a supermarket and all so he can eek out a living and hopefully establish a relationship with his long estranged daughter "Stephanie" (Evan Rachel Wood). When we are in the ring, this is an action-packed and entertaining film that illustrates well just how brief these folks' moment's in the sun can be, at how fickle the audiences can be and at just how little a dilapidated body (and soul) can be left with when injury and age impose themselves. I was much less interested in the slightly contrived, and predictable, familial melodrama into which this sinks in the middle, though. I found myself really disinterested in his love life - with the unconvinced "Cassidy" (Marisa Tomei), or in his attempts to repair his torrid relationship with "Stephanie". Luckily, that is but an intermission before the grand denouement that sees him in the ultimate grudge match against his equally aged foe "the Ayatollah" (Ernest Miller). The script is lively and frequently quite witty, the direction of the fight scenes captures well the physical endurance required by these athletes, but it also shows us that their job is to entertain us - not to actually kill each other! Rourke flips from the wrestler to the tortured father well here, and the film is well worth a watch.
What a film. It’s raw, heartfelt, and unexpectedly tender. Mickey Rourke's character, all battered pride and broken dreams, is a reflection of our own struggles, clinging to past glory while life keeps kicking him in the ribs. The themes of faded stardom, loneliness, and defiance really hit home. It’s not flashy, but it’s utterly gripping. Quietly devastating. I loved it.
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.
Raymond, a maladjusted cart pusher at a dying grocery store, has a brief yet confusing romance with an underage cashier during the final months of a suburban New Jersey summer.
Alexandra Michaelson has spent two years on the city streets as a runaway, but she awakens after an accident with no memory of her recent past. Her family welcomes her back, but soon she's visited by a man who claims he's her boyfriend. While trying to rekindle her memory, he tells Alexandra that somewhere she has hidden $100,000 stolen from a dangerous drug dealer.
Pre-Show for the 2022 All Elite Wrestling pay-per-view event Double or Nothing. Featuring the match: Hook and Danhausen vs. Tony Nese and "Smart" Mark Sterling
Gladys Glover has just lost her modeling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on other things, making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city.
Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
Seven candidates to a high executive position on a multinational company show up for a selection test in a skyscraper at the financial district. Among them, the most disparate personalities: the winner, the aggressive, the insecure, the critic, the indecisive…
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.