Unser Fliegerkosmonaut

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

As part of a geography course, students learn to do topographical surveys. A stroll at the Champlain lookout, in the Outaouais region, will allow them to familiarize themselves with the different methods in use from Samuel de Champlain to the present day. Finally, a visit to the Directorate of Energy, Mines and Resources Canada, in Ottawa, will introduce them to a new device capable of automatically drawing contour lines. This film describes this new technique of digital mapping and gives us an overview of the progress it brings in this field.

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

THE CALLERS combines anonymous documentary testimony with imagined creative scenes to tell the story of those who have called the oldest queer support line in the UK, seeking guidance on everything from where to find the nearest leather club to how to come out, start a family or mend a broken heart. The film is a love letter to queer memory and possibility, LGBTQ+ community and care, and the power of collective imagination to create the lives we dream of.

John Banvard and Jerry Nadeau are military veterans who served in World War II and Vietnam, respectively. John, 100, and Jerry, 72, sat down at the veterans home where they live to reflect on nearly 25 years together.

Director Eric Smith documents the life and wild fashion sense of Miami Beach's Irene Williams.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

The roads are full of snow and the bus is late. The Principal is mad at the bus driver but he is also sick.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond…the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad