Matt and Mara 2024 - Movies (Feb 2nd)
Alpacalypse 2024 - Movies (Feb 1st)
The Ultimate Stack A Poker Documentary 2024 - Movies (Feb 1st)
Baul Soul of Bengal 2024 - Movies (Feb 1st)
Blondie Glass Heart 2024 - Movies (Feb 1st)
The Paranormal UFO Connection 2024 - Movies (Feb 1st)
Kid Snow 2024 - Movies (Feb 1st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Eternal Theater 2024 - Movies (Feb 1st)
Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Björk Cornucopia 2025 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
Saturday Kitchen Live - (Feb 2nd)
Air Crash Investigation- Special Report - (Feb 2nd)
On Patrol- Live - (Feb 2nd)
Mayfair Witches - (Feb 2nd)
The Masked Singer - (Feb 2nd)
New York Homicide - (Feb 2nd)
Prosecuting Evil with Kelly Siegler - (Feb 2nd)
Match of the Day - (Feb 1st)
The Beat with Ari Melber - (Feb 1st)
The Sunday Show with Jonathan Capehart - (Feb 1st)
The 1 Club - (Feb 1st)
WWE Main Event - (Feb 1st)
Love Island- All Stars - (Feb 1st)
Gladiators - (Feb 1st)
The Kitchen - (Feb 1st)
Alex Witt Reports - (Feb 1st)
Sarah Beenys New Life in the Country - (Feb 1st)
Michael McIntyres Big Show - (Feb 1st)
Scene of the Crime - (Feb 1st)
20/20 - (Feb 1st)
This isn't so much an action film, as a series of scenarios that convey a message to the watching public that "careless talk costs lives". It started out life as a training film and you can tell by the rather clunky editing that director Thorold Dickinson was thinking on his feet as this project aimed at the military grew into a very important, and effective, counter-espionage tool. It's got quite a formidable cast of serving (or reservist) soldiers including Mervyn Johns, Jack Hawkins, Stephen Murray, Basil Sydney as well as Torin Thatcher in his typical role as the baddie; and the narrative weaves threads that cleverly expose just how easily the enemy got hold of information and capitalised on it. It uses actuality from time to time, and has a strange sort of excitement especially as the climaxes to each thread are not always favourable to the British which also lends it a considerable authenticity. There is a bit of wartime black humour to enjoy too, and though a curious film to watch, it has an unique plausibility which I found interesting, and to an extent, quite enjoyable.