Love Triangle - (Mar 19th)
Shifting Gears - (Mar 19th)
Abbott Elementary - (Mar 20th)
Bad Good Cop - (Mar 20th)
Expedition X - (Mar 20th)
A Body in the Snow- The Trial of Karen Read - (Mar 20th)
All In with Chris Hayes - (Mar 20th)
The Repair Shop - (Mar 19th)
Chris Jansing Reports - (Mar 19th)
The Bold and the Beautiful - (Mar 19th)
Katy Tur Reports - (Mar 19th)
The Young and the Restless - (Mar 19th)
Make It At Market - (Mar 19th)
The Price Is Right - (Mar 19th)
Surgeons- At the Edge of Life - (Mar 19th)
Scams- Dont Get Caught Out - (Mar 19th)
Tyler Perrys The Oval - (Mar 19th)
The Chase - (Mar 19th)
Selling Houses Australia - (Mar 19th)
Piers Morgan Uncensored - (Mar 19th)
During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.
A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.
"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.