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The art of political film making in all its glory. "Communicate with the Soviets? We can't communicate with the Pentagon - and it's just across the goddamn river!" October 1962, for 13 days the American government fought to avert a nuclear war when it was discovered that the Soviet Union had deployed nuclear missiles in Cuba. This is that story. Many superlatives can be chucked at Thirteen Days, and all are viable. In simple terms it's an intelligent and gripping political thriller, superbly scripted and performed by a cast firing on all cylinders. It's a treat to find a film of this type that educates while it pitches you into a world of political intrigue, to provoke real life thoughts even as the suspense takes a hold. Yes it's talky, of course it is, but these conversations are real and riveting. And while there's not a duff performance in the acting pack, Bruce Greenwood deserves special praise. He is the leader, the fulcrum, there's not a false note by him, JFK becoming the role he was born to play. Superlatives were invented for films like Thirteen Days. Assuredly so. 9.5/10
Kevin Costner at least tried to do an accent in this movie, which probably means he got a new agent, a yes man that didn't bother to give him the advice that doing believable accents isn't his thing. It's almost like listening to your average Brit trying to sound like an American and completely overdoing it. Do we really sound that exaggerated to them? Who cares, ignore the above, it's still a good movie... despite Costner's accent. Or, possibly, in spite of it. It trashes Dean Achenson, and as a historian the only thing I like to see MORE than Dean getting his just deserts is Allen Dulles getting his... and it throws a jab at that a**hole too. In 2000 that would have been seen as pure liberal honesty, but now it sort of comes across as far right. I mean the movie is literally about avoiding Nuclear War with Russia as the entire Democratic party and the progressive movement seem to want to push us closer and closer to it. It's one of the better political films you can see, and it builds the pressure to the point where you are terrified that the world could end despite the fact it has long come and gone. And the shift from Jack and Bobby to Ken O'Donnel, a humble appointment secretary is probably one of the best approaches and best ideas any Historical Drama has ever had. Start to finish it is one of the best political thrillers of all time.
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
An English bon-vivant osteopath is enchanted with a young exotic dancer and invites her to live with him. He serves as friend and mentor, and through his contacts and parties she and her friend meet and date members of the Conservative Party. Eventually a scandal occurs when her affair with the Minister of War goes public, threatening their lifestyles and their freedom.
The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.
Documentary-filmed events in the Carpatho-Ukraine (aka Ruthenia) during 1939 drive this history of the Ukraine's struggle for independence as a nation.
To many, Joshua McCord is a charismatic Asian studies professor. To the President of the United States, he's America's greatest secret weapon; a covert operative charged with only the most sensitive and dangerous missions.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring.
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
After a treacherous attack, Secret Service agent Mike Banning is charged with attempting to assassinate President Trumbull. Chased by his own colleagues and the FBI, Banning begins a race against the clock to clear his name.