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A good Christmas comedy, with added fantasy. 'Genie' is, admittedly, not a massively Christmassy film, it's more so set at Xmas rather than directly about the festive holiday. It still offers positive vibes in that regard, though. The story is told and paced well, I thought it'd be more generic than it is - it's not anything necessarily unique, but watchable it is. It has hints of 'Aladdin', obvs, and 'Bruce Almighty'. Melissa McCarthy is well chosen for the titular role, I found her to be entertaining throughout. This is the first time I've seen Paapa Essiedu act and I'd saw his performance in this is solid, he gives enough. Luis Guzmán is the best of the rest, even via a relatively small showing. Interesting that this is a remake of a 1991 television flick, which also had Richard Curtis behind the scenes and Alan Cumming onscreen; as Bernard in fact, so quite cool to see him return in this in a different role. I'll have to give that original a watch some day.
I found this film to be quite disappointing and unenjoyable. The storyline felt disjointed and poorly developed, leaving me unable to connect with or appreciate the movie. The attempt to center the plot around Melissa McCarthy as a genie or a character meant to be a focal point fell short, failing to capture the attention and interest of viewers. The overall execution of the film, from writing to filming, was subpar and lacked the necessary elements to make it engaging. Melissa McCarthy's performance, while subjective, did not resonate with me in this particular movie. Her portrayal may be polarizing for audiences, with some finding her acting style appealing and others not. Ultimately, this movie fell short in various aspects, failing to deliver a compelling storyline or engaging performances. It may be considered a miss for Melissa McCarthy fans and viewers looking for a captivating film experience. In my opinion, this is a movie that can be easily passed over and not worth adding to your watchlist. No likes yet
Fred Claus and Santa Claus have been estranged brothers for many years. Now Fred must reconcile his differences with his brother whom he believes overshadows him. When an efficiency expert assesses the workings at the North Pole and threatens to shut Santa down, Fred must help his brother to save Christmas.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.
The Saint-Tropez police launch a major offensive against dangerous drivers. Marechal Cruchot (Louis de Funès) relishes the assignment, which he pursues with a manic zeal. Cruchot is after an offending driver, who turns out to be Josépha (Claude Gensac), the widow of a highly regarded police colonel. When they meet, Cruchot falls instantly in love....
Carpenter Andersen and Santa Claus are back and this time they have to help little Elise save christmas before it's too late.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.
Three convicts escape from prison on Devil's Island just before Christmas and arrive at a nearby French colonial town. They go to the store of the Ducotels, the only store that gives supplies on credit. They initially intend to take advantage of them but have a change of heart after they find the family is in financial troubles.
Robert Lahnstein, feared TV commentator, doesn't like people, not even at Christmas. He wants to be alone - even on Christmas Eve. He thinks Christmas is just as hypocritical as politics. That's why he packs his SUV with a frozen goose and a Christmas tree to retreat to his lonely cabin in the mountains. But the plan ends for him in a tree. With the last of his strength he reaches a barn. But he is not allowed to be alone even in the deepest wilderness, because other people have also sought shelter from the snowstorm in this barn and Robert Lahnstein has to gradually put aside his rudeness and his prejudices.
Maynard, a beloved local businessman is mistaken for the legendary Bigfoot during an inebriated romp through town in a makeshift gorilla costume. The sightings set off an international Bigfoot media spectacle and a windfall of tourism dollars for a simple American town hit by hard times. When Brock Masterson, reality TV’s “Monster Hunter,” arrives to hunt the beast, Maynard agonizes over whether to come clean, destroying the rebirth of his beloved town, or perpetuate the inadvertent hoax.