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Low down miserable scratch of a deputy sheriff like you. Hell Bent for Leather is directed by George Sherman and adapted to screenplay by Christopher Knopf from the novel Outlaw Marshal written by Ray Hogan. It stars Audie Murphy, Felicia Farr, Stephen McNally and Robert Middleton. A CinemaScope production in Eastman Color, it features music jointly scored by William Lava and Irving Gertz (Joseph Gershenson supervising) and cinematography by Clifford Stine. Audie Murphy plays Clay Santell, a horse trader who is wrongly accused of murder and goes on the run pursued by a vengeful Marshal. The Marshal (McNally), knows Santell is innocent, but he doesn't care and figures that killing a wanted man that nobody has seen before can only earn him glory. There is often a tendency from Western film critics to undersell a "B" Western, it's like you are not allowed to rave about or rate a "B" the same as an Oater from the well regarded and well known movers and shakers in the genre. This happens to be more the case where Audie Murphy's output is concerned. Not blessed with great acting talent, Murphy none the less knew how to make a scene work, to imbue a passage of play with great presence, never once trying to hog the limelight from co-stars, he remains more so today a Western star whose values should not be easily dismissed. His CV contains quite a few bad or ordinary films, but he was in some very good ones as well, and one such film is Hell Bent for Leather. Plot is essentially standard fare, a wronged man is on the run and he is saddled with a pretty gal for the journey. Posse are in pursuit and wronged man has to prove his innocence before he is killed by a sadistic sheriff out to feather his own nest. Yet the locale and well written characters mark this out as a tough little Oater. Sure there's little action to pump the blood of those who need such passages, though some good chase scenes are here and one finishes with a great bit of stuntery, but the neat trick here is having Murphy and Farr's characters run off/up into the rocky terrain; the magnificent Alabama Hills rocky terrain. As Anthony Mann had a knack of marrying up surroundings to psychological aspects of his protagonists, so it be here with Sherman, but of course this is a "Audie Murphy B Western", so such things aren't possible... Hey, it's no Naked Spur et al, far from it, but it is far better and grittier than some think it is purely because of the director and star who made it. It also has a great finale, where up in the jutted rocks we get a tense situation that sees the wronged man, the guilty man, the spunky girl with a substantial back story and the unhinged glory seeking Marshal, all brought together in a moment of reckoning. You will not die of shock with the outcome, but it's a finale rewarding us for having spent the time with these deftly etched characters. Acting is safe and sound, with Middleton the stand out performer, and the music score is "B Western" 101 stuff. But if only for Stine's CinemaScope photography then the Western fan should see this, the Alabama Hills, so prominent in many a great and classic genre offering, are beautifully captured and very much a critical character in the story. 7.5/10
Buck Minor was the most detested man in Wolf Hollow, partly because he was quarrelsome and treacherous, partly because he abused and neglected his little wife, Molly, whom all the camp adored, and for whose sake it tolerated Buck.
Three cowboys, mistaken for members of an outlaw gang, are relentlessly pursued by a posse.
Amiable con man Jack Cooper is on a westbound stagecoach, headed for the next batch of suckers who will mistake him for an easy mark. Fiery Sarah O'Rourke rides the same coach, handcuffed to lawman Bill Speakes and headed for the hangman. In a few hours, all should reach their destinations. But the trail they travel takes an unexpected turn: Cooper and O'Rourke are soon off the stage and running for their lives. The law ends and the chase begins in a very alive tale of wanted-dead-or-alive fugitives (Linda Fiorentino and Craig Sheffer) pursued by a marshal (Sam Elliott) who's a law unto himself.
Tom is a cowboy boot-wearing cat at a Texas dude ranch. When a beautiful female cat comes for a visit, Tom takes time from his regular torturing of Jerry to use the mouse as a way to impress the dame. Naturally, Jerry gives Tom his comeuppance.
A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.
In the Old West, a 17-year-old Scottish boy teams up with a mysterious gunman to find the woman with whom he is infatuated.
"Nevada" and "Weary" Pierce hijack the loot taken in a bank hold-up by Les Setter, and his gang. They escape from Sheriff Jim Henry Warner. U. S. government horse-buyer David Ward is killed by Settler's men and Settler takes his papers and goes to the ranch of Blaine and asks for the horses Ward was to buy, promising payment from the government later. He also takes an interest in Ina Blaine, much to the resentment of her sweetheart Ben Ide. "Nevada" and "Weary" are hired for the horse round-up but Setter has them and Ben arrested on a fake charge.
A tale about a strange young man, Bulcsú, and the fellow ticket inspectors on his team who work aboard the subterranean Budapest Metro. A tale about racing along the tracks, and about a mysterious serial killer. And a tale about love.
Young businessman Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
Two young missionaries are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed, becoming ensnared in his deadly game of cat-and-mouse.