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On Cinema - (Dec 26th)
Doctor Who- Unleashed - (Dec 26th)
The Chase - (Dec 26th)
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Return to Las Sabinas - (Dec 26th)
Beyond Paradise - (Dec 26th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
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Bad Monkey - (Oct 2nd)
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Tell Me Lies - (Oct 2nd)
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American Sports Story - (Oct 2nd)
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Gunslingerettes line up for the atrocity exhibition. Bad Girls is directed by Jonathan Kaplan from a screenplay by Ken Friedman and Yolande Turner. It stars Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell and Drew Barrymore. The plot sees the four girl actors playing prostitutes on the run following a justifiable homicide and a hanging escape. Suffice to say that they get into scrapes & double crosses whilst being pursued by the Pinkertons. Being asked to suspend disbelief is one thing, being force fed drivel masquerading as pro-feminism is entirely another. Bad Girls is a mess of a movie, an insult to the Western genre, to the fans of the lady actors, to the lady actors themselves, who simply deserve much much better and arguably worst of all - to women in general. The script is laughable, serving only as an excuse for the gals to sling those guns and hips when possible, whilst being abused and saved by "men", while the plotting is by the numbers as everything falls into place readily. There's even slow-mo shots where they serve no purpose of enhancement. Throw into the mix that three of the ladies look nothing like on the run outlaws, all shine and span and make up with nice hair (Masterson the exception as she has a modicum of believability about her), well it's rather a depressing experience all told. Sure, as a red blooded guy I'm not going to be turned off by Barrymore's shapely thighs adorned in white stockings, or Stowe's truly gorgeous face, but when the highlights of a "girl" Western is something that's only aesthetically sexy for men, then they clearly have got it wrong. So what's the justification for it being so bad? Well the back story offers up the answer. Film was meant to be directed by a woman, Tamra Davis (erm-Billy Madison & Crossroads), but she was jettisoned a couple of weeks into production. The plan with Davis at the helm was for it to be a Western told from a female point of view. However, Kaplan (The Accused/Unlawful Entry) was brought in quickly and the screenplay rewritten in a hurry. And boy does it show. Technically it's a duffer too, Jerry Goldsmith's score is cheap in texture and Jane Kurson's editing is choppy to say the least. There's no eye catching cinematography (Ralf D. Bode), while the acting away from the script hindered girls (ie: the men), is either a waste of time them being in it (Nick Chinlund) or badly directed (James Russo). While Dermot Mulroney seems only to exist as being a link to Young Guns - the "boy" version that this is clearly trying to ride the coat tails in on. If you want a good Western about the girls fighting the good fight then seek out George Marshall's 1957 film The Guns Of Fort Petticoat. It's a fun movie that at least has believable women fighting back under duress. Bad Girls, tho, is just bad in every department. 2/10
_**Not so bad cowgirls**_ In 1891, four prostitutes in Echo City, Colorado (Madeleine Stowe, Andie MacDowell, Mary Stuart Masterson and Drew Barrymore), flee the law with Pinkertons hot on their trail. Eventually they have to tangle with a band of Hispanic outlaws to retrieve some money. "Bad Girls" (1994) is a Western with cowgirls as the protagonists rather than cowboys. It combines the tone of "Silverado" (1985) and the later “The Mask of Zorro” (1998) so anyone who likes those flicks will probably like this one even if it’s arguably the least of ’em. The Western staples are checked with a saloon brouhaha, a lynch mob, a posse, Pinkerton detectives, a swimmin' hole scene, steam locomotives, a handsome hero (Dermot Mulroney), magnificent Western vistas, a bank robbery, a mirthful Latino bandit (James Russo) and the four heroes grimly walking side-by-side to the showdown. Yet there are a few original elements as well if you look closely. While all four of the stars are beautiful in their unique way, young Drew stands out and is just stunning. Speaking of the females, occupations & freedom were limited to women in the Old West, and the movie effectively drives this home. People usually cite the available professions as marriage, school-marming, prostitution and old biddy-hood. But what about clerking of one manner or another? What about entertainment, like at local saloons, traveling troupes and Old West Shows? What about writing, like Harriet Beecher Stowe? What about ranch-owning? In other words, there were more options, but women had to use their imagination and take a bold step. The four heroines in “Bad Girls” are up to the task. Like the two Westerns noted above, this one takes the larger-than-life, mythmaking approach rather than shoot for anything very believable. If you can roll with that, it fills the bill, just not as well as “The Mask of Zorro” or “American Outlaws” (2001). The opening act wrongly paints the Christians marching in Echo City as enemies when, in real life, they would be the very people trying to help the protagonists out of the miserable bondage of prostitution, which all four wanted free from in the first place. While I understand people’s issues with life-stifling legalists, depicting the trampling of the Bible is gross ignorance. The movie runs 1 hour, 39 minutes, and was shot at Alamo Village, Brackettville, Texas , and nearby Del Rio, as well as Red Hills Ranch, Sonora, California, and nearby Sierra Railroad, Jamestown. GRADE: C+
An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she pretends to have forgiven him, and sends him to her father to get financing for a plan Bill has. What happens next was not part of her original revenge plan.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
Once upon a time, there was a woman named Therese von Ludowing who lived far from society in Thüringen with her son, März von Ludowing. But, Therese's reputation for her herbal remedies resulted with her being captured by two men in plague masks to be condemned a witch-due to the Black Plague occurring at the time. Although Therese attempts to fight them off when her son unknowingly brought the men to their hut, she is captured while März is tossed into the well outside their home, and she curses the world in her final breath before her execution. The following night, his once white hair stained black - "the color of dusk" - and no memory of who he was, the reborn Märchen von Friedhof emerged from the well after being awakened by a living doll named Elise. Elise compels Märchen to aid seven "princesses" in taking revenge in seven tales to achieve their own revenge. Each tale revolves around a deadly sin.
A dark, gritty, dystopian, western action martial arts film featuring a strong 'no-holds-barred' female protagonist portrayed by action film star Cynthia Rothrock. The plot centers around a sheriff’s sister who seeks revenge against the terrifying leader of a group of outlaws after discovering he brutally murdered her brother, his wife, and other family members in a gritty southwestern town.
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Elle Woods, a fashionable sorority queen, is dumped by her boyfriend. She decides to follow him to law school, but while there, she figures out that there is more to herself than just looks.
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.