レッドブリッジ ビギニング

A powerful new enemy appears in front of 3 gangs: Gokuraku Cho, Biisuto and Hiroshima Naitsu. Based on the manga "BADBOYS" by Hiroshi Tanaka (published from 1988 to 1996 by Shonen Gahosha through biweekly manga magazine Young King).

After completing his time in a juvenile detention center, Daiki Imanishi returns to his hometown in Ibaraki. Upon hearing that his former cellmate, Ken Kohinata, is in danger, Daiki, along with two companions he met in the detention center—Kaito Sakaguchi and Ryuichi Maki—causes trouble at every turn as they head to Tokyo in a stolen car to save Ken.

"BLOW THE NIGHT!" Let's Spend the Night Together is a 1983 Japanese docu-drama shot on 16mm film starring actual Yanki gang members as many of the main characters.

In the 1970s, director Fukasaku Kinji’s Yakuza Papers films chronicled decades of gang warfare in post-war Hiroshima. Over three decades later, up-and-coming young director Kubata Takashi brings a new generation of Hiroshima motorcycle gangsters to the big screen with Badboys. Based on Tanaka Hiroshi’s hit comic series of the same name (which also spawned five animated OVAs in the 1990s), Badboys depicts a violent battle between three rival gangs in the aftermath of a gang-related murder in Osaka. A gripping, exciting gangster action drama starring some of Japan’s brightest young actors, Badboys is the kind of new blood the Japanese gangster genre needs!

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

Under the influence of his delinquent friend, a former model student eschews schoolwork and joins a gang of school kids who do nothing but fight.

An aging Japanese bike gangster mentors a crop of halfhearted pledges threatened by police pressure. In doing so, he confronts his tough guy past and dwindling options for the future.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

29-year-old Satonaka Takashi (Kudo Kankuro) is a freelancer. He falls in love at first sight with Satoru Nobunaga (Shiho Takano), who was a nurse at his previous hospitalization. He half stalks her and ends up working at the "Time Machine" restaurant in Tokyo Patio, an apartment complex for the elderly in Asakusa. On his first day of work, Takashi is approached at the entrance by a strange old man (Kunie Tanaka). However, he is told that the old man, Fujiwara Fujiro, is already dead. Fujiro, unable to give up his feelings for Chidori Kanzaki (Yoko Tsukasa), whom he loved before her death, possesses Takashi and uses his body to fulfill his feelings for her. Possessed by Fujirou, Takashi tries somehow to get rid of the spirit, but without success. However, when Fujirou discovers his feelings for Saiya, Takashi is helped by Fujirou, who has a wealth of knowledge and experience due to his age, and finally decides to allow Saiya to live with him in his body...