I Saw the TV Glow 2024 - Movies (Mar 22nd)
The Ruck March 2025 - Movies (Mar 21st)
Popeye the Slayer Man 2025 - Movies (Mar 21st)
Baby Invasion 2024 - Movies (Mar 21st)
McVeigh 2024 - Movies (Mar 21st)
Riff Raff 2024 - Movies (Mar 21st)
High Ground 2025 - Movies (Mar 21st)
Meet the Pickles The Making of "Win or Lose" 2025 - Movies (Mar 20th)
Tyler Perrys Duplicity 2025 - Movies (Mar 20th)
ODessa 2025 - Movies (Mar 20th)
Hamlet 2024 - Movies (Mar 20th)
Hard Truths 2024 - Movies (Mar 19th)
Modì Three Days on the Wing of Madness 2024 - Movies (Mar 19th)
The Twister Caught in the Storm 2025 - Movies (Mar 19th)
Novocaine 2025 - Movies (Mar 18th)
DSLR 2025 - Movies (Mar 18th)
One Night in Tokyo 2025 - Movies (Mar 18th)
Midwinter 2024 - Movies (Mar 18th)
Flight Photographers 2025 - Movies (Mar 18th)
American Terror Tales 3 2024 - Movies (Mar 18th)
Bert Kreischer Lucky 2025 - Movies (Mar 18th)
Portugal with Michael Portillo - (Mar 22nd)
Our Dream Farm with Matt Baker - (Mar 22nd)
Britains Got Talent - (Mar 22nd)
Gladiators - (Mar 22nd)
Britains Got Talent- Unseen - (Mar 22nd)
The 1 Club - (Mar 22nd)
99 to Beat - (Mar 22nd)
Somedays Dreamers - (Mar 22nd)
The Beat with Ari Melber - (Mar 22nd)
The Sunday Show with Jonathan Capehart - (Mar 22nd)
Lidias Kitchen - (Mar 22nd)
The 11th Hour with Stephanie Ruhle - (Mar 22nd)
Landscape Artist of the Year - (Mar 22nd)
Penn and Teller- Fool Us - (Mar 22nd)
Masters of Illusion - (Mar 22nd)
Dimension 20 - (Mar 22nd)
Buried Hearts - (Mar 22nd)
The Last American Vagabond - (Mar 22nd)
Unreported World - (Mar 22nd)
Around the World in First Class - (Mar 22nd)
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
Baritone Benjamin Appl and pianist James Baillieu reimagine Schubert's song cycle Winterreise in the wintry setting of an Alpine landscape at the top of a mountain pass in Switzerland - a place that emphasises the timelessness of Schubert's music
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Beth Gibbons (vocalist for acclaimed UK band Portishead) was formally invited to Poland in 2014 to sing soprano at Warsaw’s Grand Theatre. This performance forms the basis of the film and album titled Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.
This is a 4-DVD set, featuring the Estonian conductor Paavo Järvi and the chamber orchestra (around 40 members) Die Deutsche Kammerphilharmonie Bremen. The first 3 DVDs feature live performances of all 9 of Beethoven's symphonies, and the 4th DVD is a documentary produced for DW (Deutsche Welle) on this Beethoven project.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.