البحث عن منفذ لخروج السيد رامبو

A Brooklyn postal worker follows her Egyptian boyfriend to Cairo where she takes belly-dancing lessons from a legendary but disgraced Egyptian dancer.

On a hot summer day, a taciturn teen boy makes his way through the hustle of Cairo — with a baby in tow. His arrival at a hospital reveals the turmoil beneath his muted expression, in this stark and compassionate examination of trauma.

Reporter Homer Smith accidently draws Marcia Warren into his mission to stop Nazis from bombing Allied Conwoys with robot-planes.

portrays the lives of residents in an old Cairo building "The Yacoubian Building", highlighting issues like corruption, extremism, class disparity, and sexuality. Through diverse characters, the film offers a critical examination of the Egyptian society

Egyptologist Erica Baron finds more than she bargained for during her long-planned trip to The Land of the Pharoahs - murder, theft, betrayal, love, and a mummy's curse!

Baseball cards and a food-aid worker help a woman follow her shady husband's money trail around the world.

In Cairo on her own as she waits for her husband, Juliette finds herself caught in a whirlwind romance with his friend Tareq, a retired cop. As Tareq escorts Juliette around the city, they find themselves in the middle of a brief affair that catches them both unawares.

After failing to find stable work in Cairo, Hassanein joins a group of beggars and unwittingly becomes involved with a corrupt businessman who suspects him of being a police informant.

Three women seek justice due to the difficult daily situation which sexual harassment causes in the streets of Cairo, Egypt.

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.

In the fading grandeur of downtown Cairo, Khalid, a 35-year-old filmmaker is struggling to make a film that captures the pulse of his city at a moment when all around him dreams as much as buildings are disintegrating. With the help of his friends who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living IN THE LAST DAYS OF THE CITY.