さぶ

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

A ronin named Azami Onijuro travels the Nikko Highway, he is being followed by the bounty hunter Daihachi and Yukata Danzen. He is pursued by his past as a covert spy under Lord Matsudaira. Due to certain circumstances, Onijuro betrayed him and became a wandering ronin. Ever since, he's been hunted by Matsudaira's subordinates and bounty hunters. After saving the tough and fiery woman Omom from yakuza trouble, Onijuro and his companions head to Akame-shuku (inn town). Here, a conflict brews between the Tsurugame family led by Genroku and the lawless monk group led by Tetsuzan, a former sumo wrestler gone rogue. Onijuro sides with Tetsuzan, while Daihachi and Danzen side with Genroku. This intricate web of allegiances and confrontations unfolds against the backdrop of the bustling post-town.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A history drama portraying the confrontation between the indigenous Ainu people living on Japan’s northernmost main island—then called “Ezo” and now known as “Hokkaido”—and the “sisam”, the Ainu word for ethnic Japanese.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

Orphaned Kiku was raised at a Buddhist temple and learned theatrical arts and martial arts as a child, which were used to put on stage productions to raise money for the temple, but also to display young lads who were essentially for sale to the highest bidder. When Kiku gets fed up with how the temple uses the orphans and wants to leave he gets accused of a double murder and has to flee for his life and liberty.