Καυτό δόλωμα

Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.

A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

Stefano, son of the Mafia Don Angelino Ferrante, is killed by Gaspare Ardizzone (John Saxon) for refusing to sell some valuable land. The old don sends for Ferrante Santino Billeci from America, in the hope that he'll be able to help in getting revenge. But Gaspar, meanwhile, is becoming the most powerful and ruthless boss of the area...

A prohibition-themed gangster thriller, set in the 1930s in the United States. Following a failed heist, Sam's gang takes refuge in a small isolated town where another gang has already settled, together with a mysterious priest. The two bands decide to unite, but the wife of one of the gang bosses is attracted to a member of the other gang. They plan to escape and start a new life together. But who will survive the police assault on the town?

Madrid, 1939, at the end of the Spanish Civil War. Five infantry soldiers of the victorious side take a photograph of themselves somewhere in the defeated city, promising to meet again ten years later at the same place.

Giovanni Molet is sent to jail for the murder of two of the Carraro family over a feud over land. While incarcerated, a vendetta is carried out on Molet's brother who is killed by the Carraros. While being transferred to another prison, Molet manages to escape and goes on the run. He holes up in a large villa owned by a newlywed couple and slowly starts to prepare for his revenge.

Former shepherds return to Sardinia from Milan in order to avenge a brother wantonly killed by bandits. In describing the grinding contrasts between places and personages of old and new Sardinia, director Piero Livi does not falter, photographing faithfully a desolated land, stuck in the past but alienated from traditional beliefs.

A wealthy businessman's wife tries to cover up his suicide to cash in his life insurance policy.

Out of prison at last, charismatic sociopath Neal tries to visit the baby son he's never seen, his indifferent parents, and the grave of his horse - not in that order. But mainly he wants to rejoin his old gang in the "pony club" subculture of the wild Northside- would be urban cowboys riding horses rough shod and bare back through the streets of Dublin. He then runs into the squealer who set him up.