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In this old classic John Wayne had not yet become the somewhat grumpy old tough guy as he is in many of his classical movies. He is somewhat younger and his character as Lt. Col. Kirby Yorke is a bit more emotional than the characters that he often played and there is a bit more romance in this movie as well. At least in my experience with John Wayne’s movies. I was not sure if I was going to like this movie so much since it is generally put in the Romance genre as well as the Western genre. However I can without a doubt say that I did indeed like it quite a lot. It is still a good old-fashioned Western movie with brawls, fistfights and a lot of shooting. John Wayne is great in his role and a lot of the supporting characters are very enjoyable. I especially liked the old Sgt. Major and I would have liked there to be a more official scene of forgiveness between Mrs. Yorke and him. There were a lot of nice interaction between the Sgt. Major as well as between other characters in the movie. At times the movie was really funny due to these interactions between several of the rather original characters in the movie. To my understanding John Ford was more or less forced by Republic Pictures into making this movie in exchange for his pet project, The Quiet Man, to be produced. I would say that this was a good move by the movie company even though the movie was produced as a low-budget movie even by the standards at the time. The only thing I feel sorry about is that it was shot in black & white. As is often the case in good old Western movies there are a fair share of lovely nature scenery and I think some of that would have been much better in full color. Oh by the way, one thing puzzles me. Why on earth did they make a movie poster with John Wayne without a mustache when he is having one throughout the whole movie?
More artistry from the maestro. The final piece of John Ford's cavalry trilogy is a fine portrait of the old west and the soldiers who operated at that time. Much like She Wore A Yellow Ribbon, this film continues with the central theme of human focus, getting close and real to what makes these folks tick, all laid out on Ford's wild frontier portrait. This offering throws up a number of emotions by splicing Western staple conventions. We have a special war time romance (the excellent John Wayne & Maureen O'Hara), a fair dash of humour (hats off to Ben Johnson), and some delightful tunes brought to us by Sons Of The Pioneers. But ultimately it's the realistic feel to the film that makes it so special. There is no overkill of the subjects, it is painted as hard grind, not all whooping in the air and shooting the enemy - with the camera work from Ford able to bring it all vividly to life. What we ultimately get is a post civil war tale that looks great and beats a sound and true heart. 8/10 Footnote: The whole trilogy isn't for those seeking out good old shoot 'em ups in the Wild West, it is for those looking for involvement into a past that has long since gone, but thankfully one that is kept vividly alive by such directing masters like Ford.
"Col. Yorke" (John Wayne) has enough on his plate fighting the marauding Apache when his son "Jeff" (Claude Jarman Jr) arrives at his post, only to be followed shortly thereafter by the man's mother "Kathleen" (Maureen O'Hara) determined to buy him out. Let's just say that marital relations are a bit strained, and that the youngster has no intentions of leaving his post and so the seeds of slightly comedic discord are sown as mother and father bicker their way back into love. The film itself is all just a bit predictable, but there's a fun dynamic between Wayne and O'Hara and a solid supporting cast offering entertaining roles for Chill Wills; Victor McLaglen as the snifter loving "Quicannon" and Fred Kennedy as the gargantuan "Trooper Heinze". There's plenty of action and the stars make sure that what "romance" there is, is presented in feisty and stroppy a fashion with the bare minimum of anything remotely sentimental. John Ford knew how to cast and make an entertaining western and he does it well here.
A group of outlaws plan and execute a robbery in a small town. However, things go awry as the team attempt a getaway, when a couple of the locals attempting to follow them, are ambushed by marauding natives.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory...
The Apaches are on the warpath and the Army must defend them. Murphy's mission is to get a shipment of rifles, but it's stolen by greedy white traders with the help of mutinous soldiers
Major Jim Colton is a sympathetic leader who has a working relationship with Apache leader Cochise. Colton is undermined by corrupt and politically ambitious Indian agent Neil Baylor who sets up a false attack, and the abduction of a local farmer's son. While Colton is away investigating the matter, Baylor convinces Lieutenant Bascom that Cochise's band is to blame, and incites him to lead an expedition against the Apache band to return the boy.
'The Oilprince' is an unscrupulous businessman. He looks forward to a lucrative deal with the "Western Arizona Bank'. He sells the bank oil wells at Shelly Lake that do actually not exist. The Oilprince learns that the colonists would like to settle at Shelly Lake. So The Oilprince exchanges the scout of the settlers by one of his minions to give them another route. But soon The Oilprince has to recognize that he has not counted on Winnetou, the righteous leader of the Apaches, and his blood brother Old Surehand.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.