The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
Deal or No Deal Island - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
The Cook Up with Adam Liaw - (Mar 26th)
Love and Hip Hop Atlanta - (Mar 26th)
Beyond the Gates - (Mar 26th)
Highway Thru Hell - (Mar 26th)
Caught - (Mar 26th)
Gannibal - (Mar 26th)
Million Dollar Secret - (Mar 26th)
Hyper Knife - (Mar 26th)
Frontline - (Mar 26th)
Dark Side of the Ring - (Mar 26th)
The Joe Schmo Show - (Mar 26th)
House of Knives - (Mar 26th)
Renovation Aloha - (Mar 26th)
The Last Word with Lawrence ODonnell - (Mar 26th)
Hard Quiz - (Mar 26th)
Night Court - (Mar 26th)
The Irrational - (Mar 26th)
The Rookie - (Mar 26th)
In this old classic John Wayne had not yet become the somewhat grumpy old tough guy as he is in many of his classical movies. He is somewhat younger and his character as Lt. Col. Kirby Yorke is a bit more emotional than the characters that he often played and there is a bit more romance in this movie as well. At least in my experience with John Wayne’s movies. I was not sure if I was going to like this movie so much since it is generally put in the Romance genre as well as the Western genre. However I can without a doubt say that I did indeed like it quite a lot. It is still a good old-fashioned Western movie with brawls, fistfights and a lot of shooting. John Wayne is great in his role and a lot of the supporting characters are very enjoyable. I especially liked the old Sgt. Major and I would have liked there to be a more official scene of forgiveness between Mrs. Yorke and him. There were a lot of nice interaction between the Sgt. Major as well as between other characters in the movie. At times the movie was really funny due to these interactions between several of the rather original characters in the movie. To my understanding John Ford was more or less forced by Republic Pictures into making this movie in exchange for his pet project, The Quiet Man, to be produced. I would say that this was a good move by the movie company even though the movie was produced as a low-budget movie even by the standards at the time. The only thing I feel sorry about is that it was shot in black & white. As is often the case in good old Western movies there are a fair share of lovely nature scenery and I think some of that would have been much better in full color. Oh by the way, one thing puzzles me. Why on earth did they make a movie poster with John Wayne without a mustache when he is having one throughout the whole movie?
More artistry from the maestro. The final piece of John Ford's cavalry trilogy is a fine portrait of the old west and the soldiers who operated at that time. Much like She Wore A Yellow Ribbon, this film continues with the central theme of human focus, getting close and real to what makes these folks tick, all laid out on Ford's wild frontier portrait. This offering throws up a number of emotions by splicing Western staple conventions. We have a special war time romance (the excellent John Wayne & Maureen O'Hara), a fair dash of humour (hats off to Ben Johnson), and some delightful tunes brought to us by Sons Of The Pioneers. But ultimately it's the realistic feel to the film that makes it so special. There is no overkill of the subjects, it is painted as hard grind, not all whooping in the air and shooting the enemy - with the camera work from Ford able to bring it all vividly to life. What we ultimately get is a post civil war tale that looks great and beats a sound and true heart. 8/10 Footnote: The whole trilogy isn't for those seeking out good old shoot 'em ups in the Wild West, it is for those looking for involvement into a past that has long since gone, but thankfully one that is kept vividly alive by such directing masters like Ford.
"Col. Yorke" (John Wayne) has enough on his plate fighting the marauding Apache when his son "Jeff" (Claude Jarman Jr) arrives at his post, only to be followed shortly thereafter by the man's mother "Kathleen" (Maureen O'Hara) determined to buy him out. Let's just say that marital relations are a bit strained, and that the youngster has no intentions of leaving his post and so the seeds of slightly comedic discord are sown as mother and father bicker their way back into love. The film itself is all just a bit predictable, but there's a fun dynamic between Wayne and O'Hara and a solid supporting cast offering entertaining roles for Chill Wills; Victor McLaglen as the snifter loving "Quicannon" and Fred Kennedy as the gargantuan "Trooper Heinze". There's plenty of action and the stars make sure that what "romance" there is, is presented in feisty and stroppy a fashion with the bare minimum of anything remotely sentimental. John Ford knew how to cast and make an entertaining western and he does it well here.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.
Army despatch rider Hondo Lane discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
The construction of the Great Western Railroad creates heavy conflict between the railway company and neighboring Indian tribes. Worse, criminal gang leader Santer sets his eyes on a gold mine located on holy Indian land and influences the construction supervisor to re-rout the planned railroad straight through Apache land. Old Shatterhand, who works as a measurement technician, discovers the evil plan and searches contact with the Apaches in an effort to avert war.
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.