Marina e la sua bestia

David Palmer, a young chemist, returns to his father's Indiana farm, to marry a local school teacher, Ruth Treadwell. David meets again his father's horse-trainer, Ben Lathrop, whose daughter, Cissy, has left high school to help her father. Palmer marries and becomes wealthy through an invention, and is able to indulge his socially-ambitious wife. His father dies and Palmer returns to Indiana, where his interest in harness-racing is rekindled, as is his interest in Cissy Lathrop.

After losing her father, a young women must find the strength to face her fears and compete in the race of her life or her family will lose everything.

A film adaptation writer wants to secretly write his first original screenplay about his true story of falling in love with someone who has recently become a widow.

When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!

Fresh off a relationship, Briar finds a waning comfort in an old script, and a new friend.

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.

The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

Sandra, lovelessly married to a landowner who owns racehorses, meets José María, a lumberjack, and they quickly fall in love. After some time, Sandra's husband learns of the relationship.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.