War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
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I always think trains make for a great confined, slightly claustrophobic, setting for a thriller and with the help of the very easy on the eye Lakshya proving he's pretty nimble with just about everything from a fire extinguisher to a bathroom sink, we set about trying to thwart the intentions of a group of thirty-odd bandits who board a train heading to Delhi and proceed to brutally rob the passengers. That was pretty much the gist of their plan until they discover that the wealthy "Baldeo" (Harsh Chhaya) is travelling with his family. Never mind scraping around for a few old iPhones and some costume jewellery, their enthusiastic young leader "Fani" (Raghav Juyal) decides to take them hostage. Now this is probably his biggest mistake as it turns out that the man's daughter "Tulika" (Tanya Maniktala) is the love of the life of our intrepid commando "Amrit", and when events unfold becoming more violent, and tragic, this unleashes in him a feverish desire for retribution that proves the training at the National Commando School of India is extremely effective. With his colleague "Viresh" (Abhishek Chauhan) travelling with him, and with the help of one or two courageous passengers, the two soldiers are hopelessly outnumbered, but hugely inventive. This isn't a film you go to see for the dialogue - there isn't really very much, and what there is doesn't really matter. This is simply an end to end, action-packed festival of acrobatic carnage that isn't necessarily the most realistic - I think in real life, everyone would have been dead from the deadly kukri blows far earlier, but Nikhil Nagesh Bhat allows the film to build the tension to quite a crescendo. Sure, some of the combat scenes are a little too choreographed and repetitive, and I doubt it would ever encourage you to want to travel on Indian Railways, but this is every inch as good as it's Hollywood equivalents. Be warned - the violence is about as graphic as it gets, but I enjoyed it and wouldn't be surprised if Lakshya starts to appear in more films targeted more at the West.
Good god like 45 minutes of the same guys fighting. There are some cool deaths but how many times can I see a guy get a khurki or whatever knife stuck in their shoulder before they die. Everyone fights at such randomly skilled levels depending on the scene. It's so fucking long and boring.
Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.
A short film on eve teasing by Anurag Kashyap, it talks about issues related to gender sensitization and equality of genders.
An immigrant Indian mother fights the Norwegian foster care system and legal machinery to win back custody of her children.
Runaway Rinku gets forcefully married to already engaged Vishu. Both don't want this marriage and make a deal to go on their separate ways. The equation gets weirder when Rinku's lover Sajjad shows up and Vishu starts developing feelings for her.
Johny lives a dual life - as a popular starlet and an international criminal wanted by the police for a number of criminal activities. He meets his look-alike Gopi who comes from the village in search of a job; Johny offers Gopi the job; a salary and a house to live in. This job involves playing the role of Johny so that the real Johny can outsmart the police and commit his criminal activities with ease. He teaches Gopi his mannerism and etiquette with things going as planned. But Gopi eventually gets trapped - both by the police and the underworld criminal gang.
Pod decides to change jobs after losing his finger at a sardine packing plant. His new job as a security guard comes with an unexpected perk in the form of a lanky maid who carries a mysterious white book.
Set in Harlem in 1987, Claireece "Precious" Jones is a 16-year-old African American girl born into a life no one would want. She's pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret; She can't read.
Autorickshaw driver Amal is content with the small, but vital, role he serves - driving customers around New Delhi as quickly and safely as possible. But his sense of duty is tested by an eccentric, aging billionaire, who, moved by Amal's humility, bequeaths him his entire estate before passing away. With only one month to discover and claim the inheritance, Amal's struggles with duty and wealth are threatened by all those around him - from a young injured beggar girl and a lovely store merchant, to the danger of the old man's upper-caste friends and siblings, all seeking to claim their share of the riches.
Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.
Viju, a Hindu Brahmin boy, falls in love with Mary, a devout Christian, when she visits Goa. Despite opposition from Mary's family, the two decide to get married.