The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
What does a retired police officer, a dog trainer, the founder of a political party and anti-government protesters have in common? They've all met on the streets of Bucharest, 23 years after the Romanian Revolution, determined to reclaim the public space. Vlad Petri is following their stories for one year, from the first days of the anti-government protests to the final days of the Referendum against the President. The film raises questions about the role of the public space, the power of the individual and the understanding of democracy in a society caught between a communist past and an uncertain future.
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.
Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Ingo Zamperoni has been known as one of the anchormen of the popular German late-night news journal Tagesthemen since 2016. The German-Italian knows the USA like only a few people because he studied there and later he reported from there as an US correspondent. He is also married to an American. That is why he has many relatives in the United States. But the rift that runs through American society also runs right through his in-laws living there. While father-in-law Paul is a supporter of the Republicans under Donald Trump, his wife Jiff and mother-in-law Lynn are supporters of the Democrats and concerned for their country. As an African American, the second husband of his mother-in-law brings his own insights into the increased racism in the country. Zamperoni embarks on a family-political search for the causes in order to understand why the whole country and its family are so torn.
Tracing the story of a student uprising this documentary explores how the NRA manages to keep a permissive gun law alive, and why it has such a strong hold over American society.
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
Faced with climate change, many countries have embarked on the energy transition. Since the COP21 in 2015, which set demanding targets for reducing greenhouse gases, green energies have been on the rise. The electric car has thus become the mascot of this revolution. But manufacturers remain discreet about the carbon footprint of their cars marked "zero emission". Because not only do they consume electricity that is not always clean, but they also consume rare metals such as cobalt or lithium, the extraction of which causes havoc on the other side of the world. In China, for example, champion of rare metals, in Heilongjiang province, a carpet of toxic dust covers agricultural regions.