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Iranian siblings got the ashes of their recently deceased mother from America to Iran to spread them into Lake Urmia.

In 2053, amidst a devastating pandemic, an old gravedigger from Elementar Corporation insists on burying his wife with just a shovel, rejecting the corporation's new burial technology, the "Cube Of Miracles." Conflict arises when a young gravedigger armed with the "Cube of Miracles" challenges the old gravedigger's traditional methods at the cemetery. The film explores the clash between tradition and innovation, delving into broader themes of man versus machine in a society grappling with AI and automation.

A woman working as a cashier at an illegal gambling parlor pushes her luck by stealing money from gamblers as a way to pay off her own debts. When one gambler realizes he’s been cheated, he returns with murderous intent and the already dismal situation spirals out of control.

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

A Japanese-Chinese couple hangs out and shoots each other.

Sara helps her little brother Tomas to overcome his fear of the monster under the bed, but it is harder to protect him from his violent and authoritarian father.

The life of a boy.

An elderly lady called Ida is wasting away in a retirement home until one day she meets a new resident named Jef. They fall in love and decide to liven up place.

Cris is a film student going through a creative crisis. Her professor rejects her latest script because it is empty, conveys no emotion, and advises her that whatever it is that is blocking her, she should put an end to it and fix it, so that she can turn in the script again the following week.

An Italian city, 1860. During the carnival, Fortunato de Bettini mocks his friend Montresor who, humiliated, plans an elaborate and cruel revenge.