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How do you review a movie like _The Warriors_? I've got a real short way for ya: _The Warriors_ is **the best** movie of the 1970s. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
Can you dig it? Well actually yes Mr Hill, I bloody can! During my schooling as a teenager there were a handful of films that it was deemed cool to love, The Wanderers, Scum, Quadrophenia and The Warriors, and it's perhaps a weird thing to say... but I still feel here in my middle age that these are still cool films to be adored and cherished. I have just sat through The Warriors again for about the hundredth time in my life, and it still entertains me as much now as it did back then, sure it's dated, sure I see more cheese than I thought it had back then, but I also see a visually tight movie that actually delves interestingly into the lives and psyche of young gangers. The plot is simple, all the gangs of New York City are called to a meeting where they are called to unite to take over the city, the leader of the gang known as The Riffs is a guy called Cyrus who is the one calling for the unity. He is shot and killed during the rally and The Warriors are wrongly framed for his murder. The Warriors then have to make their way back home to Coney Island with every gang in the city out to kill them, and also with the police hot on their tail as well. This journey is excellent as we are introduced to a number of gangs trying to get the better of The Warriors, the fights are well choreographed, the clothes are wonderful, and some of the dialogue is now teenage folklore. The film was criticised on release for glamorising gangs, but I fail to see how this opinion was formed, if anything, when analysing the main characters, the film has a sad streak running through it. Be that as it may, the films triumph is getting the will of the viewer to hopefully see the unfairly tarnished Warriors make it home to Coney Island, which builds to the climax of the film that is both poignant and punch the air greatness. 8/10
In a dysfunctional New York City, the charismatic leader "Cyrus" (Roger Hill) assembles all the gangs and declares that it is time for them to overwhelm the police and to take control of their city. Amidst cheering crowds he is promptly gunned down - and the "Warriors" are held responsible. Led by "Swan" (Michael Beck) they must run a gauntlet of other avenging gangs and try to establish just who pulled the trigger. What now ensues is a really well paced, gritty, series of escapades that pit them against a whole range of thugs and hoodlums - of varying degrees of efficiency - whilst trying to evade the cops. Along the way back to Coney Island, they encounter serial hooker "Mercy" (Deborah Van Valkenburgh) and despite their initial hostility, she and "Swan" start to respect each other as their perilous journey comes to head. The whole look of this film is effective. There is not a great deal of dialogue - but what there is is frequently quite pithy. The story gathers pace with some well staged combat scenes, and some intense urban cinematography that lends well to the underlying purpose of the story of a lawless and dystopian society the is still the home for valour and courage, honesty and comradeship. On the downside, though they do their jobs well enough here, none of the acting is especially memorable, but maybe that is what helps this whole thing hit home. Next time you eat an ice lolly...!
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
A deadly virus has spread across the globe. Contagion is everywhere, no one is safe, and no one can be trusted. Four friends race through the back roads of the American West on their way to a secluded utopian beach in the Gulf of Mexico where they could peacefully wait out the pandemic. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal their fates.
A man travels to Mumbai in search of his estranged brother, a feared figure in the criminal underworld. As he follows the trail through gang rivalries and shifting alliances, he uncovers a complex web of loyalty, deception, and violence that blurs the line between justice and revenge.
The Amamiya Brothers, Masaki and Hiroto, keep looking for their older brother Takeru who disappeared one year ago. The three Amamiya brothers lost their parents when they were young. Since then, they relied only on each other. On the anniversary of their parents' death, Masaki and Hiroto expect Takeru to appear. Instead, they meet a person who has a clue on Takeru's whereabouts.
Shekarankutty, a normal man with a wife and daughter, has trouble when his past as a mafia don is revealed.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
Angered that her sister Celia has stolen her fiance, Dell Faring kills her and allows Celia's husband David, knocked out in an argument with Celia, to take the blame and end up on death row. Later Dell, finding out that David's young daughter Susan was witness to the crime and is undergoing psychiatric treatment, plans to eliminate her before her memory returns.
In the underworld of Manhattan, a woman dares to stand up to one of the city's most powerful gangsters.