Monster Mash 2024 - Movies (Feb 23rd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Gladiator II 2024 - Movies (Feb 23rd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Air Crash Investigation- Special Report - (Feb 23rd)
The Only Way Is Essex - (Feb 23rd)
Married at First Sight - (Feb 23rd)
Oceanfront Property Hunt - (Feb 23rd)
All Elite Wrestling- Collision - (Feb 23rd)
Lakefront Luxury - (Feb 23rd)
Britains Got Talent- Unseen - (Feb 23rd)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Last American Vagabond - (Feb 23rd)
On Patrol- Live - (Feb 23rd)
I'm not exactly what one might call "in to" American comedies, and gross out humour/romantic comedies are pretty much at the bottom of even that list. For a movie that most certainly contains both those two things (the latter in especially heavy doses), I actually didn't mind _Van Wilder_ that much. But it's all about context, if instead of comparing it to a list of similar things that I hate you compared it to, say, the entire history of cinema overall, then _National Lampoon's Van Wilder_ is pretty bad. One additional note, the friend of mine who I put this on for told me that the movie was from the era of "When Tara Reid was still hot". Now personally I've never found any iteration of her attractive, but it did make me have a parallel thought, is Van Wilder from the era when Tara Reid was a better actor? I'm not saying she has been some sort of Oscar-worthy great at any stage, but if I compare her in this to her in, for example, _Sharknado 47_, despite the extra years of experience, she's definitely worse now, right? _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Restricted to his room at college Ed sneaks out dressed as a girl attracting the attention of Don until he discovers Ed is not a girl and the two get into a fight. Their trainer, Tom, catches his two-star baseball men fighting and breaks benches Ed. The Calford team is up against a strong rival college and Don tricks Ed out of the honor of pitching. For eight innings Calford does well, until Don "blows up," and Ed gets back into the game and wins.
Kirsten Kosinski (Anna Kristina) leaves her provincial town to work in the big city. After getting a job as a secretary, she finds herself occasionally "sellin her charms." Eventually, she becomes a full-time prostitute and feels the need to ensure the protection of a pimp to survive in this environment.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.