OFW the Movie

During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.

Through a blend of archival photos and videos of OFW families, Paliparan delves into the lives of OFW families from the perspective of an OFW child. The visual imagery is paired with a personal essay that reflects on the experiences of an OFW child hoping for a brighter future.

From the inside of a balikbayan box, a daughter plays a video game system gifted to her by her father. She recalls the days before her father went overseas due to the lack of stable and livable employment and the ongoing drug war in the country. A meditation on parental bonds and the OFW experience from a child’s perspective.

A son of an overseas Filipino worker documents his time with his father who had recently returned full-time back home after being overseas for so long.

Callan is twenty and is overcome with impulses that he finds it increasingly difficult to control. In order to protect others from his strange behavior, Malcolm, his father, tries to channel his son's attention by every means possible.

Florence is an actress. The preparations for her next film will put her through an unexpected ordeal: an initiation with real bullets.

Delphine is an ode to childhood, but also an examination of the wounds it can cause.

Genjuro’s crime was assassination, his punishment was to survive a faked execution and lose his home, lose his identity, and emerge as Maboroshi Shinigami, the Phantom Assassin. When his wife is kidnapped and tortured to reveal his whereabouts and dragged to the executioner for crucifixion by corrupt clan officials, Genjuro faces an army of swords to save her. Evil men aim to frame Genjuro for another murder. For their scheme they need only one thing, Genjuro’s dead body. Genjuro will have to cut down their swordsmen and challenge Sarashina Gunpei, deadliest blade in Japan in a final blood-soaked battle.

Over the course of ten days and 435 miles, an unbreakable bond is forged between pro adventure racer Michael Light and a scrappy street dog companion dubbed Arthur. As the team is pushed to their outer limits of endurance in the race, Arthur redefines what victory, loyalty and friendship truly mean.

Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.

A Chicago sports radio shock jock is changed by a Christmas season encounter with a 15-year-old fan who is dying of cancer who forces him to be nice for a day.