Beetlejuice Beetlejuice 2024 - Movies (Nov 14th)
OVERLORD The Sacred Kingdom 2024 - Movies (Nov 14th)
Journey to Bethlehem 2023 - Movies (Nov 14th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Haunted Ulster Live 2023 - Movies (Nov 14th)
Ezra 2023 - Movies (Nov 14th)
Malum 2023 - Movies (Nov 14th)
Championext 2023 - Movies (Nov 14th)
You Gotta Believe 2024 - Movies (Nov 13th)
Smile 2 2024 - Movies (Nov 13th)
Azrael 2024 - Movies (Nov 13th)
Return of the King The Fall and Rise of Elvis Presley 2024 - Movies (Nov 13th)
Hot Frosty 2024 - Movies (Nov 13th)
Dogleg 2023 - Movies (Nov 13th)
Fight to Live 2024 - Movies (Nov 13th)
Killer Ex 2024 - Movies (Nov 13th)
All In with Chris Hayes - (Nov 15th)
La Maison - (Nov 15th)
The One Show - (Nov 15th)
Doctor Odyssey - (Nov 15th)
Matlock - (Nov 15th)
Law and Order- Special Victims Unit - (Nov 15th)
9-1-1 - (Nov 15th)
Before - (Nov 15th)
Children Ruin Everything - (Nov 15th)
Law And Order - (Nov 15th)
Silo - (Nov 15th)
Georgie and Mandys First Marriage - (Nov 15th)
The Beat with Ari Melber - (Nov 14th)
Elsbeth - (Nov 15th)
Greys Anatomy - (Nov 15th)
Lets Make a Deal - (Nov 15th)
The Bold and the Beautiful - (Nov 15th)
The Talk - (Nov 15th)
The Young and the Restless - (Nov 15th)
Harry Potter- Wizards of Baking - (Nov 15th)
This is interesting, but dated. Back in 2003 the left was still anti-corporation, they didn't support the outsourcing of jobs, they didn't support the accountability that theses institutions had they were fairly unified in their condemnation of it. Today there is a clear shift and we aren't seeing that much of it, Nike hasn't changed their practices of out-sourcing and sweatshops and are now an iconic brand on one side of the divide. Outsourcing is now supported by the left where "the jobs aren't coming back, deal with it" is a commonly heard phrase there. It wasn't back in 2003. So, watching it in 2003 as opposed to 2018 it's interesting to see a lot of the same faces that once opposed it speaking on the news in favor of how the corporations work today. If memory serves, Noam Chomsky is the only political voice that hasn't made an abrupt shift or dialed it back in the decade plus since it's release. Despite the shift in some of the voices heard in the documentary, it does do an excellent job tracking the evolution of the corporation in the United States, how it started in our earliest days, straight through how it became an individual entity politically, and onto how that identity as a "person" effected our politics. And, at times, it was moving, given that it did treat people who work for corporations very well, even interviewing them so that they can express that, yes, they too had the same concerns as the people protesting them, but were bound by the law to pursue policies that would generate the most profit for their shareholders, which illustrates an interesting problem that is often ignored with discussing the topic. It remains educational today, even if there has been a distinct shift on how the topic and some of the corporations highlighted are handled by the people interviewed for the documentary.
Unable to understand why parenting seems like a constant uphill battle, an emotionally exhausted mother who can’t connect with her two young sons courageously confronts the events of her own traumatic childhood.
This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.
A film by Spetsnaz, narrated through a first person perspective, documenting his journey and the journeys of countless other men. "A Documentary Told in Four Chapters. Featuring many favorite content creators & some of the videos that impacted me the most in my journey. This Feature does not take a historical approach but is rather an expression of my experience discovering men going their own way content & the impact it had on my development. It is told from a personal individual perspective. I wanted to make this video to have closure on that chapter in my life & to leave a record of what was & what continues to evolve. The insights & shared experiences of men are more important now than ever. They certainly helped me."
At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?
To Live or Let Die is a 1982 American short documentary film directed by Terry Sanders, about the neonatal I.C.U. of the Children's Hospital in Los Angeles, where life and death decisions must be made while ethical dilemmas are also posed by new technologies.. It was nominated for an Academy Award for Best Documentary Short.