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Uncovering lost antiquities is one of those topics that fascinates most of us, especially when they’re documented as the discoveries are made. This is one of the goals behind the Netflix “Unknown” documentary film series in its chronicles of such events around the world. In the series’ latest installment, filmmaker Max Salomon follows the efforts of Egyptologist Zahi Hawass and his colleagues as they seek to find the lost pyramid of Pharoah Huni, a little-known monarch of Egypt’s Old Kingdom, in the necropolis of Saqqara. The structure, believed to be located in an area of the ancient city that hasn’t been excavated (and thus suspected of not having been looted by grave robbers), fills the archaeological team with tremendous enthusiasm as to what they’ll find. It’s also an undertaking largely being conducted by native Egyptian investigators, a departure from previous excavations, which have been almost exclusively conducted by Westerners, a venture that’s hoped will put these researchers on the map in their own right. And, with a scant nine-month digging window open to them, they need to work quickly before desert weather conditions make their efforts impossible until the following year. The film reveals some truly remarkable discoveries, too, some of the most significant finds in the history of Egyptology. However, despite the significance of these revelations, the picture also lays it on a little thick when it comes to what Hawass and company have found. The degree of self-aggrandizing self-congratulation truly becomes tiresome and repetitive, so much so that the unbridled boasting overshadows the most valuable aspects of the film. What’s more, even though some genuinely remarkable artifact discoveries emerge from the excavators’ work, digging on what’s believed to be Huni’s pyramid itself is left at a preliminary stage when the nine months come to an end, suggesting that continued efforts are needed during a subsequent digging season. This means that the chronicling of this venture, though laudable, could nevertheless be premature. In light of this, perhaps it might have been better to wait until the excavation is complete before releasing this offering, as waiting for later may have provided viewers with a fuller, more impressive, more definitive finished product. In short, this documentary feels more like a work in progress than a conclusive record, one that I would have rather watched when complete than in the preliminary stage in which it has been left.
A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
The Church of the Resurrection of Christ located in the Moscow district Sokolniki is one of the most remarkable churches in Moscow. Built a few years before the revolution, it has a history that reflects the fate of the Russian Orthodox Church in the 20th century. Its walls remember the First World War and two revolutions, the confiscation of church treasures and the restoration of the patriarchate. The film features the builder and first dean of the church of Resurrection, father Johann Kedrov who was persecuted and exiled under the Soviet regime. The parishioners of the church will always remember this man.
This short film tells about a young, but already well-known flutist Denis Bourikov. A winner of international competitions and a scholar of the "New Names" program, in his fourteen years he traveled the world, gave solo concerts, performed in the residences of the Pope of Rome and the Patriarch of Moscow and All Russia. James Galway, one of the best flutists of the world, said about him: "Denis, without a doubt, is the most capable young musician. I believe he has a great future". Tracing the creative path of this gifted flutist, the film tries to reveal his complex inner world.
A documentary about the career of legendary production designer Joe Alves and his four decades in Hollywood.
"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?
