Red Market

An awkward encounter at work carries two unassuming co-workers into a dreamy holiday weekend. A weekend that inevitably falls to pieces when Andy introduces Katherine to some friends. A surreal portrait of love and how pathetic it renders us.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

In the late 40's, in a post-war environment, Luis is nine years old and lives the constant absence of his mother. Mrs. Acela has an unusual job, helps "to die", but her son does not know exactly what his job is and all the time he is worried. About to turn years Luis makes a request that will mark his life.

A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

The stooges are stage hands who also have small parts in a big play. They quickly get on the bad side of the producer. First they fail to prevent a famous critic from sneaking into the audience. Then Shemp accidentally adds a pot holder into a cake they bake as a prop. During the play the stooges (as southern gentlemen) and the rest of the cast spit up feathers during what was supposed to be a serious scene. The critic thinks it's a hilarious satire and the boys are redeemed.

Maggie must navigate an eventful first day in daycare. At the Ayn Rand School for Tots, Maggie is diagnosed with average intelligence. Barred from the gifted children, she longs to escape from her glue-guzzling classmates. But when a lonely caterpillar befriends her, she makes it her mission to save it from a ruthless butterfly smashing toddler.

Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.