Willie Nelson 90: Long Story Short

Willie Nelson - American Outlaw captures the most iconic moments from a one-night-only concert event honoring Willie Nelson and his music. This two-hour program is packed with over 20 original performances, never before seen interviews and captivating behind-the-scenes footage with Willie Nelson and some of music's biggest superstars.

Everybody has one—the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz, Miranda and Natalie, that person is their perennially upbeat brother, Ned. But as each of their lives begins to unravel, Ned's family comes to realise that Ned isn't such an idiot after all.

Sampson Moses, the corrupt mayor of Brambles, Texas, hires a deadly gunfighter to remove orphaned landowner Billy, since a railroad company wants his land. Tough lawyer Neil Morris tries to settle things peacefully to no avail.

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

Tara, Dev Prakash Tandon, Aditya Verma, Ritu Malhotra, and Raghu, run their own band, and practice at Aditya's dad's studio. When an actress, Piya Anand, hears their number, she wants to join them, but Ritu rejects her, as she feels that Aditya may be falling for her. The group subsequently relent, let her join, and the inevitable happens when Aditya starts going out with Piya, with Raghu showing an interest in Ritu. They enter their band into a contest, compete, and qualify for the finals. Then they get devastating news when Ranjit Bose takes over the studio and threatens to demolish it. Things gets even worse when Piya finds out that Ranjit is her estranged dad, and will never permit her to take part either on the tinsel screen nor in a band.

A short documentary about the making of Dario Argento's "Phenomena" (1985).

Compilation of DTV music videos from on The Disney Channel, combining tunes from the 1940s through the 1960s with footage of Disney animation.

The intervention of a student at the "counter convention" at the Fabbrica della Comunicazione di Brera, against the convention on anti-psychiatry by A. Vermiglione.

Jago tells the story of an 80 year old sea nomad called Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The story is told entirely from Rohani’s perspective, against the spectacular backdrop of the Togian Islands, and recreates events that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and friends in the village where he grew up. These are the people you see representing Rohani in the film at various stages in his life. Story telling is a big part of Bajau culture, and a way of preserving traditions through generations, so everyone was very enthusiastic about what we were trying to do and brought lots of ideas of their own, especially Rohani. Although he had never had a camera pointed at him, it certainly wasn’t the first time he’d sat around telling stories. We were just lucky that he let us capture it on film.

Resorting to the images that make up three quarters of the last century, Jean-Louis Comolli chose films that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists topics that are important to him - the place of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the film weaves unpredictable wires between the excerpts .

“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.