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Burt Lancaster is the multi-millionaire oil magnate "Felix Happer" who despatches one of his minions (Peter Riegert) to Scotland to buy up a village to turn it into an oil refinery. Once he arrives, he is taken for a bit of a ride by the canny locals as they try to milk him for as much cash as they can. In the days before cell phones; he has to call his boss from the phone box reporting his lack of progress and some astronomical sightings until eventually Happer comes over himself and immediately strikes up a rapport with Fulton Mackay who lives on the beach (and who is steadfastly refusing to sell). It is is simple story very well told with a slightly unpredictable, happy ending and a brilliant score from Mark Knopfler.
**Slow, with boring characters and dialogues and a disjointed script, this film does not justify the “hype” around it.** This is one of those indie films that has won over a legion of self-confessed admirers. It's a film that everyone speaks highly of, as if it were a solid masterpiece. I didn't know that when I saw it for the first time, so I saw it without a lot of expectations. I'm glad I did it: despite recognizing some merits, I am convinced that the film has been well overrated. The proof is the way it fell into oblivion! If we exclude fans and movie nerds who know everything (and when they don't, they make it up) who really remembers this movie? The film revolves around a story that is very simple: in the north of Scotland, there is a small bay with a beach and a sleepy village. When a rich oil entrepreneur decides to buy all that to build a huge refinery and a terminal for oil tankers, all those people are expectant, wanting to sell what they have for the best price. Only two people disagree: a marine biologist who want to preserve and study the local, and an old simpleton who owns a good part of that beach. The film had some potential, but it lacks solidity and a good script. Time is spent in sterile dialogue, rambling about comets, constellations and flirting. It is also very unbelievable, as a project like this would never be so consensual, there are always those who oppose it for financial or ecological reasons, or mere nostalgia. If director Bill Forsyth decided to close his eyes to the insipidity and fragility of the script, he was equally inept at using the actors. The cast is good, but he didn't know how to use it. Peter Riegert does what he can, but he has absolutely no charisma and is a forgettable protagonist, who seems more uncomfortable with his character than his character with fieldwork, far from the comforts of the office. Peter Capaldi doesn't do it better, and Jenny Seagrove is just a pretty face here. Fulton Mackay manages to give us something more substantial, but he has little screen time, and the same can be said of poor Burt Lancaster, who is removed from the screen for a good time. A disjointed script, insipid dialogues purposely created to fill up time, characters without strength and ability to captivate us… could there be something in the technical aspects that saves this film? Yes. The cinematography is very good, making the best use of the beauties of the Highlands. The sets and costumes are quite good, and the soundtrack is atmospheric and pleasant. Is it enough to justify the hype around this film and consider it a magnificent and exceptional work? I don't think so.
Bjarne runs a moving company with his wife Malin, but it is shaky and they need to borrow money. Across the river lives Bjarnes father Halvar. The two have never pulled evenly, which stems from a 20-year conflict filled with idle words, grumpy pride and stubborn prestige. In order to rescue the firm Malin sees no alternative but to go across the river to ask Halvar to cater for the loan. A decision that will have unexpected consequences.
Ichiko bakes a cake for an end-of-year party with her friends. In the depths of winter, making mochi and curry keeps the people of Komori warm. Later, spring brings thoughts of her absent mother as well as rice planting and sakura, and she begins to think of leaving Komori behind again.
Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
An Israeli man, raised by a wealthy and powerful Arab, comes into conflict with his heritage when he is entrusted with managing his country's oil fortunes and must deal with a fanatical terrorist group led by his daughter.
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
19-year-old Ben Burns unexpectedly returns home to his family's suburban home on Christmas Eve morning. Ben's mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother's undying love for her son is tested as she does everything in her power to keep him safe.
Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune.
Siniša Mesjak, an arrogant and ambitious politician on the rise, finds himself in the middle of a scandal. To hide him from the public, the president appoints him as the commissioner of Croatian government on the furthest settled island Trečić, where he is tasked with the organization of local elections. The previous seven commissioners haven't succeeded.
Summer 1994, Scotland. Johnno and Spanner are best mates, but Johnno’s family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape they head out on one last night to an illegal rave before parting ways indefinitely.
Ex-con Russell Gaines is attempting to rebuild his life with the help of his father, Mitchell. However, the arrival of Maben sends his new life into chaos, leading the pair to go on the run - as their violent pasts catch up to them, the pair must learn to trust each other if they hope to live out the rest of their days.