Mi soledad tiene alas

Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.

A gang of criminals, composed entirely of young people, bases its unique fun on stealing from rich elders with the help of the charms of one of the members of the band, Pepi (Nadiuska). They are misunderstood young people looking for an assimilation of society.

The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.

Perros Callejeros is based on the juvenile delinquency of the 1970s and 80s in Spain. The story is set in Barrio de la Mina in Barcelona one of the most conflict neighbourhoods in Spain. The characters chosen were real juvenile delinquents all with criminal records, which the director used to give the film a realistic touch. This film is very powerful and dramatic, it shows how these kids were brought up to survive on the streets.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

After the tragic and sudden death of her father, Isabel, a 17-year-old girl, is forced to move to a neighborhood on the outskirts of Valencia and start from scratch in a high school where she is bullied. There she meets Lola, a troubled teenager who her family forces to sell drugs and commit crimes. Isabel and Lola will have to team up to get ahead. Together they will forge a great friendship and end up discovering love.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

El Muertes and El Jato travel to Morocco to get some chocolate but run into trouble when they are assaulted by locals. Magda, El Jato's girlfriend, waits for them in Algeciras where they decide to steal a car to get back.

In Madrid, a Lawyer gets the freedom for "El Chirlo" a usual 20 years old crook. Chirlo wants to thank Jaime, his lawyer, the defense and treat him for a meal with Rocio, Jaime's girlfriend. Jaime leave so Chirlo and Rocio go together to take a walk. Since then, everything turns bad.