Falas da Vida: Histórias (Im)possíveis

Night after night, Bodřík dutifully protects his master's humble farm and livestock from prowling wolves. But when his master decides it’s time to get a younger dog to guard the farm, Bodřík is sent to stay in the junkyard. The first night without Bodřík's watchful eye, one wolf sees his opportunity to strike.

Jim Jansson is a woodcarver who gets retired.

When Tom loses his job at an advertising agency, he enlists a youthful con-man to help save his career.

In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.

A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.

"Work While You Have the Light" is a feature documentary by a multi-generational directing team that examines professional women who are over seventy years old and still working.

‘Superagers’ examines the positive aspects of ageing and how some embrace life at every stage. ‘Superagers’ observes a unique group of older individuals. Their physical and mental ability could be considered exceptional for any age. Our older generation has endured a lot of setbacks in recent years. This heart-warming and often humorous observation of their day to day lives is inspirational and uplifting.

A lonely postman (Gilbert) secretly recreates postcards for a woman (Aurore) on his postal route when her boyfriend's homemade postcards stop arriving from his travels around the world. With the help of his friend Mr. Rostalle, (Paul Dooley) a blind widower and retired literary professor/poet, Gilbert (James Michael Tyler) learns to open himself up to the prospect of love, and in the process of trying to bring someone else happiness, discovers it for himself.

At the beginning of the film, we are presented with an ordinary story. It is the story of a student organization's internal struggle. The story begins with the protagonist taking a briefcase and the organization taking it back, along with his woman. The man who brings back the bag faces the woman. The room is somehow symmetrical. The room is somehow left-right symmetrical, with a low angle and fixed screen as in the Ozu style.