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Junior Taskmaster - (Nov 15th)
The Chase Australia - (Nov 15th)
Richard Osmans House of Games - (Nov 15th)
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Andrea Mitchell Reports - (Nov 15th)
Chris Jansing Reports - (Nov 15th)
Susan Calmans Grand Day Out - (Nov 15th)
Four in a Bed - (Nov 15th)
Katy Tur Reports - (Nov 15th)
Jersey Shore- Family Vacation - (Nov 15th)
2DEZIT - (Nov 15th)
The Kelly Clarkson Show - (Nov 15th)
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The 11th Hour with Stephanie Ruhle - (Nov 15th)
After Midnight - (Nov 15th)
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Red Flag- Musics Failed Revolution - (Nov 15th)
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Being a huge fan of Al Pacino (from the likes of 'Heat', the 'Godfather' movies, and 'Dog Day Afternoon' especially) and having had a huge crush on Bridget Fonda ('Single White Female', anyone?) back in the day (Peter Fonda's famous daughter was named 85th sexiest star in film history, and Mrs. Danny Elfman hasn't been involved in film, unfortunately, since 2002), I was hugely disappointed in this film, especially since I had loved director Harold Becker's previous 'Sea of Love', which also starred Pacino. The first half was decent and involving, but it kind of slid off the rails, interest-wise for me, the rest of the way and got too talky and uninspired. I don't really know if the problem was with the script or its direction. I know I'm not the greatest John Cusack fan in the world (I find he's much better in comedy, like his sister Joan), but he had pretty good co-stars, whose talents were basically wasted, in Martin Landau, Anthony Franciosa and Danny Aiello (these guys were BORN for these roles and films, so on paper, this should have really worked out well). I had always wondered why this film had bombed so miserably, and now I know why. In cases like this, more should have been done to alter the story arc, just some basic tweaks, to make it more suspenseful and/or (though I usually balk at such 'Hollywood' tendencies) some romantic tension (a beauty such as Fonda's was misused--they may as well have hired someone else). All in all, a wasted opportunity that's worth a look if you like dramas about corruption--just don't go in with big expectations, and don't bother with a rewatch.
Saw this one maybe 20 years ago and for whatever reason had a hankering to check it out again. Not great or ambitious as it sounds and pacing was a bit off, but in general found it engaging and had solid performances. I do wonder how much better it could have been under someone like Scorsese. **3.5/5**
There is a historical accuracy in how the film is presented. A small thing, the murder of a boy, builds and builds, and unravels all the layers of the onions until the ripples can be felt at the highest and most powerful levels. That is, essentially what happened with Watergate where a simple B&E brought down Nixon. It's also what happened, almost 2,000 years earlier with the Conspiracy of Cantoline. If you are tuned to it, like The Paper, it's not just about corruption, but about ripple effects and that is pretty cool. And, it's really well acted, well enough to make you lament that Cusack and Pacino aren't paired more often.
Katja Winzer lives with her eight-year-old son Tobias and her partner Jürgen in a small town near Bremerhaven. When Tobias does not come home one evening after playing games, and broadcasts remain fruitless throughout the circle of friends, Katja turns on the police. For Katja begins a nightmare of waiting, hope and fear, where she threatens to break. Only weeks later, the terrible idea that Tobias could have become a victim of a violent crime, to the certainty.
The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.
After investigating an Elder cult's meeting place, a professor wakes to find himself in an interrogation room with a grotesquely scarred hand.
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.
After New York City firefighter Terry Lynch is unable to receive any compensation for an injury incurred during the off-duty rescue of a young girl, he grows suicidal. Furious, his brother Jimmy attempts to have Mayor Tyler intervene, but the corrupt politician instead denounces Terry as a drunk. Determined to get justice, Jimmy begins a graffiti campaign of embarrassing slogans mocking the mayor, which soon captivates the city.
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
In late 1980s Los Angeles, Jacki and her all-girl punk rock band, Clam Dandy, are trying to make it big. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom.
A tourist witnesses a murder and finds herself caught up in a series of bloody killings.
Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.