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Major, right now you got me about as confused as I ever hope to be. Directed by Brian G. Hutton and adapted to the screen from his own novel by Alistair MacLean, Where Eagles Dare stars Richard Burton and Clint Eastwood. Music is scored by Ron Goodwin and cinematography is by Arthur Ibbetson. A small group of allied agents are sent on a mission to rescue a Allied General from a Nazi castle stronghold. But there is more than what meets the eye here... Boys own men on a mission in grandiose strokes, MacLean's complex story makes for riveting and exciting entertainment. The story twists and turns like a Python on acid, thus requiring full attention to conversational details is very much advised. And yet joyously it's the fun and kinetic action that holds the most attention, especially for what is quite an explosive and thrilling last third of picture. There are stunts galore amongst the Austrian Alps (beautifully photographed by Ibbetson), and as the espionage hokum reaches its crescendo status, so does the kinetic carnage, with the makers wasting no opportunity to blow everything up. Burton is classy and enjoying himself, Eastwood laconic and cool, while good support comes from Mary Ure (great to have a well written spunky female lead), Patrick Wymark, Michael Hordern and Donald Houston. The running time is a touch too long as MacLean's prose is given weighty treatment for extended chatter, and some back projection work feels unnecessarily cheap for such a grand production, but this is good old machismo fuelled classic cinema regardless. 9/10
_**One of the greatest action/adventure films ever made**_ RELEASED IN 1968 and directed by Brian G. Hutton, "Where Eagles Dare" is a World War II adventure about handful of commandos parachuting into the wilderness surrounding a German castle-fortress high in the Bavarian Alps. Their mission is to rescue a captive general before the Germans can interrogate him. However, not everything is as it first appears. The film is not a conventional World War II flick. Alistair Maclean wrote the script based on his novel and thus the movie is, unsurprisingly, a spy thriller just as much as it is a war picture. Keep in mind that spy flicks were super-hot when the film was released (e.g. James Bond). Are 60's spy films plausible? Realistic? No, they only have the veneer of plausibility and realism; underneath it's all escapist fantasy. So it is with "Where Eagles Dare." The opening with the breathtaking Alps and Ron Goodwin's exhilerating score is one of the greatest cinematic openings in history. From there you get intrigue, thrilling action scenes, a magnificent castle, Richard Burton at his charismatic best, two beautiful women (Mary Ure and Ingrid Pitt), surprising plot twists, cable cars, a suspenseful escape and a don't-see-it-coming ending, not to mention Clint Eastwood. Speaking of Eastwood, he plays a taciturn American lieutenant, second fiddle to Richard Burton, the British leader of the operation. Believe it or not, Burton's charisma is so out of the ball park that Eastwood pales by comparison. Of course, this has a lot to do with the way their roles were written, but you still have to give Burton credit for blowing Eastwood, who's no slouch, out of the water. Some complain about the utter ruthlessness of the Allied commandos, particularly the characters played by Burton and Eastwood, but they're Special Forces on a secret mission, not conventional soldiers in infantry combat. They're professional killing machines, which is why they were given the job. There was no room for mercy in this operation at this stage in the war. In any case, it's exciting to see Burton & Eastwood and their team mow down scores of Germans. The film's so well-done and compelling that you sorta don't realize how unbelievable it is while watching. This is because it lacks the cartoonish-ness of, say, "Rambo 2" and "Rambo 3" and maintains an air of realism throughout (which is different than saying it's realistic). FINAL WORD: "Where Eagles Dare" is one of the greatest action/adventure films of all time and is as-good-or-better than any war flick you care to name. The exhilarating score itself is worth the price of admission, as is the opening. If you're in the mood for a World War II flick, "Where Eagles Dare" belongs near the top of the list. THE FILM RUNS 2 hours, 35 minutes and was shot on location in Austria with studio work done in England. GRADE: A
So close to being a great film. There is a lot I enjoyed about 'Where Eagles Dare', the core of the film has some greatness to it. The action sequences are fun, the acting is terrific and the music is strong. However, it has far too many lull moments for me to consider it anything other than 'good'. A 2hr run time would've been perfect, instead it's stretched out to 2hrs 30mins+ and it really shows. The pacing is bad, any moment of quality is immediately followed by the film dragging its heels. It heavily overstays its welcome, in my opinion. Richard Burton and Clint Eastwood are excellent together, while the rest of the cast are very good themselves. It's just a shame about the aforementioned, as I could quite easily see this being one of my favourite films if what I've stated wasn't true. I'd personally be up for a shorter, tighter remake of this, because all the ingredients are there; it's like a 'Bond' film mixed with 'Fast & Furious' in parts.
The story is very interesting, Clint Eastwood looks very good on Nazi Uniform and kick 4ss so much 4ss it kind of ruins the almost perfect story about counter spies double agents, double cross mumbo jumbo If they wanted to end WWII they should have sent Clint Eastwood and Richard Burton dressed as SS officers.
When an American general's plane is forced down over Nazi Germany, it falls to "Smith" (Richard Burton) to lead a crack team into the depths of the Wehrmacht to get him out before a dose of scopalamine elicits the truth about the plans for an allied invasion of Europe. No sooner do they land, though, when things start to go wrong. With one of their number not even surviving the parachute drop into the snowy forest, "Smith" finds himself relying more heavily on American Ranger "Schaffer" (Clint Eastwood). The two have never met before this mission, and the latter man is frankly quite puzzled as to his inclusion on this British operation in the first place. The general is being held in the "Schloß Adler" high atop a rocky outcrop accessed only by helicopter or cable car - and there are thousands of troops stationed nearby. It's soon clear that someone in his team has dubious loyalties, and things becomes distinctly more perilous as they have to survive the hostile environment of the cold, avoid the pursuing soldiers and infiltrate the castle - where an even more deadly series of challenges await his dwindling group. Alistair MacLean was always quite good at adapting his novels for the screen in a way that alerts the audience to certain facts before the characters, and here that works effectively to create an action-packed adventure that is charismatically led by Burton and the engagingly laconic Eastwood and full of duplicity and betrayal with plenty of lovely pyrotechnics and a denouement that keeps us guessing right until the credits. There's a strong supporting cast with the malevolent SS "Von Hapen" (Derren Nesbitt) and Mary Ure's resourceful "Mary" adding a little extra depth to a story that flies by for 2½ hours.
Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.
Funding ceased due to Brexit pullout by backers. In the early hours of the 6th of June 1944 Allied Airborne Forces launched one of most daring assaults in history. 181 men in 6 gliders landed at night to capture two bridges vital to the success of the D-Day landings, one of these would become known as Pegasus Bridge.
Jim Gordon commands a unit of the famed Flying Tigers, the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers.
Russia attacked Finland in late November 1939. This film tells the story of a Finnish platoon of reservists from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia who leave their homes and go to war. The film focuses on the farmer brothers Martti and Paavo Hakala.
Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work.
Thanks to his perseverance, the Italian Simone Moro has written pages in the history of mountaineering, especially winter mountaineering on peaks over 8,000 meters high. I-VIEW tells of his adventure as a helicopter pilot and his dream of bringing helicopter rescue to the Himalayas.
A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.
During World War II, Italian villagers hide their wine from the German army.
Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons' lives in the 1990s.