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If you ever watched 'The Secret of Kells', you will never think of skipping it. Though, people watch it in the interest of the Oscar connection. From all the nominees it is the clear winner according to me, even far better than the real winner 'Big Hero 6'. The American Academy Awards had failed to recognise the true ingenuity. That does not stop win the heart the of millions of children around the world. As for the adults, it makes you feel young again for a while. Lots of humour in it with faint emotions at the end along the kids favoured flavour throughout. Far East and far West film industries ruling the animation production, but Tomm Moore from Ireland is trying to open the new gate from the European division. Not many people are aware of him, one more movie and its success may lead to the greater heights for sure. This animation technics are very unique, but not the first time in the use. The character illustrations were cuter to enchant the young kids. Watching the movie is like reading a children's storybook with the large pictures everywhere and a couple of lines of words in the corner of the page. Like the anime in Japan and 3D animation in Hollywood, this would mark the Euro on the map. There are many animations are made and still making in Europe, but this one is the new perspective of hope to reach all the major and remote places of the Earth. Wish it moves in the right direction. If you had known how all the fairy tales work, you would feel you can predict this story because, you know defeating evil, breaking curses, the happy endings are the usual part. So what matters is the storytelling, how well the stories are presented on the screen. This film excels in that point, and the music is the another highlight of the movie. Whoever the music director/composer I must praise him. Almost a year ago I saw the trailer for the first time and I felt like I already loved the movie, mainly because of the music. ''Hold this shell to your ear and listen carefully. You will hear the song of the sea.'' In his earlier movie the director told a simple and short story extraordinarily, and still I hum that beautiful 'Aisling song' sometime. This movie had a wonderful adventure story of a boy called Ben and his little sister Saoirse. In the journey of running away from an owl witch, the magical creatures and an ancient seashell guide them a path. On the right time the title song makes the way to delight next 10 minutes of the crucial segment in the narration. I love the original version, in Irish even though I don't understand. It was good and catchy, even for the grown ups as well. Feels like, want to visit those places from the movie, but sadly our only option is Disneyland, huh. Disney and Studio Ghibli are the king and queen of fairy tale movies. No one would, but if you are mildly fed up of those, here the new dimensional fresh tales from the Ireland's folklore. Though, it sets in the modern world, but does not abandon to bring the key factors. Like the ancient meet the modern world with the same intensity. Kind of new to hear the words like Selkie, Macha etc., but, brand new for the people who live thousands of kilometers away in the different continents. Animation movie fanatics would love it, but if there are any children like niece and nephew in your home or visits you, watch it with them on that occasion and you would feel differently. 9/10
Great watch, would watch again, and do recommend. The animation in this beautiful, and some of it reminds me (vaguely) of "Spirited Away", but makes more sense. I'm sure the relation is the sense that "Spirited Away" is Miyazaki's display of the Japanese fey, though it is apparently in several other movies (e.g. "My Neighbor Totoro", "Ponyo"). This is a movie of great tragedy and powerful feelings, but ultimately is about appreciating your family and people while they are there. There is charm and uplifting feelings to the entire situation: you're not just going to be depressed or moved. As the introduction of the fey start, it is very unclear what is real and what is magic, or if the magic is real. That surreal attitude to this child's adventure seemed to add to the charm of dealing with the situation. The only problem I have with the movie is this ambiguity, there are so many parallels (that often occur in fey stories) to reality that you can't tell if this is a story of how a boy imagined an adventure, or if it's a fey story full of hidden magic. The details they go into are amazing if you look. Even the tears shared between fey and human are different. The details go on, and while I'm not sure if the quality is better, worse, or just different to a Miyazaki film, I feel it was made with the same consideration for how the audience is supposed to feel as they watch in the same way he created.
This is a gorgeously told tale from Celtic mythology that follows the adventures of the young "Ben" and his sister "Saoirse". Their mother died whilst giving birth to the girl - who is unable to speak - and they lived in an isolated lighthouse (I'd love that!) with their widowed dad "Conor" until being sent to live in the big city with the grandmother. The colourful narrative now follows the pair as they determine to get back home to their dad. Along the way, we discover that "Saoirse" is no ordinary girl, and that her powers, thanks to "Ben" and his fairytales, might enable both of them to engage in a challenge to free some magical creatures trapped in the realm of the humans. The animation is charming, the characterisations likewise - they are well developed and retain their innocence and childishness throughout. The soundtrack is also a thing to enjoy - a typically Gaelic affair with haunting melodies and jaunty themes that all add richness to this simple but intriguing story. This is a fascinating vein of legend that is really underdeveloped by cinema internationally. Here we have a delightful introduction to those stories and this really is well worth and hour and half of anyone's time.
The story of a shepherd girl and her dog who face ancient spirits in order to continue the cycle of life.
Since he won the lottery, Pancho, a Jack Russell Terrier dog, lives a life full of luxury. His personal assistant manages his fortune. After trying to strike a deal with Pancho to make him become a star of the toy industry, Investor Montalbán will try to kidnap Pancho by any means. Pancho will discover real life dangers, and understand real wealth is in friendship.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soul mate when she's sequestered inside her family's estate with only her parents to keep her company. This untraditional fairy tale about a girl who bucks convention to create her own happy ending.
Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides in her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids. During his trip to see Granny Wendy in London, the vengeful Capt. Hook kidnaps Peter's kids and forces Peter to return to Neverland.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.
A queen is so vain she needs the magical mirror the Black Knight forged to tell her daily she's the belle of the realm. When it adds Snowwhite, the king's heiress, has grown even more beautiful, the queen orders him and the shivering jester Andreas, who secretly loves the girl, to murder her step-daughter. However the knight fakes her death and seven dwarfs take her in at their magical mine. The dwarfs tell her various secrets, including true identities, and plot to save her, the disguised queen to murder her once the mirror betrays she's alive.
Klaus lives with his two brothers Kunz and Franz in a little village. Together, they ply their trade as cobblers in a small workshop. But the workload rests mainly on the shoulders of ill-treated Klaus. When Kunz and Franz go off into the forest to chop wood for fuel they run into an old woman who asks them for some wine and bread. Rudely and gruffly, they refuse her request and return home without any wood. Klaus then has to set out and he meets the old woman as well. He gladly offers her his frugal meal which is suddenly turned into pancakes and good wine. In addition, he receives a golden goose for his kindness. The bird possesses a an unusual characteristic: all those who are prying, nosy, envious and rapacious get stuck to it and become glued to one another.