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1923 - (Feb 23rd)
Prosecuting Evil with Kelly Siegler - (Feb 23rd)
Michael McIntyres Big Show - (Feb 23rd)
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Dominance and submission at the office (um... no) RELEASED IN 2002 and directed by Steven Shainberg, "Secretary" is a romantic dramedy about a young woman (Maggie Gyllenhaal) who spent some time at a mental hospital for self-harm (e.g. cutting). She apprehends a job as a secretary to a quirky, arduous lawyer (James Spader) wherein their employer-employee bond turns increasingly sexual in a dominant/submissive way. This is the first mainline film in America to breach the difficult topic of BDSM, walking the balance beam between being either too amusing or too offensive. For those not in the know, BDSM is an overlap of acronyms: BD stands for Bondage and Discipline; DS for Dominance and Submission; and SM for Sadism and Masochism. I didn’t really know the movie tackled BDSM before viewing it; I thought it was simply a romance-in-the-office type flick with maybe some kinky elements. The movie is polarizing, unsurprisingly. I read a few reviews by respectable critics and one was fascinated by it, giving it an incredible 10/10 Stars (Why Sure!), while another wrote it off as a film for sick people, granting it 1/10 Stars. Whilst I find the romance-at-the-office element interesting, I could care less about the BDSM angle. Regardless, the first half is amusing enough and Maggie is a winsome treat, but the second half gets a little too deviant and borders on porn. Yet the movie ends well with a well-intentioned message: This is a story about two people who have an affinity for DS that find each other and their relationship may or may not work (no spoilers). I suppose the movie is trying to get across that pain can be therapeutic as long as it's applied by the right hand with the right intention. Thus two people with an affinity for BDSM can develop a relationship that works, for them. But not me; no thanks. THE MOVIE RUNS 1 hour 47 minutes and was shot in Los Angeles. WRITERS: Mary Gaitskill (short story) and Erin Cressida Wilson & Shainberg (screenplay). GRADE: C-
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Mute Hee-Jin is working as a clerk in a fishing resort in the Korean wilderness; selling baits, food and occasionally her body to the fishing tourists. One day she falls in love with Hyun-Shik, who is on the run from the police, and rescues him with a fish hook when he tries to commit suicide.
Matthew is a young man pushed dangerously close to the edge by the emotional abuse he endures from his girlfriend; Sylvia.
Hyman Goldberger, the president of film studio Super-Colossal Pictures, is in trouble-his major backer is threatening to stop financing his pictures. He finds a group of six wealthy individuals who may want to become investors in the studio if his disgruntled backer pulls out. Unfortunately, his bumbling runner Albert picks that day to invite six of his street musician friends to be in the film that is currently shooting at the studio, and Hyman mistakes them for the potential investors. Complications ensue.
The film shows a strong bond between two brothers that live in a remote fjord with their parents. We look into their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the lives of the brothers.