어떤 꿈

In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Experimental arthouse film taking satirical, philosophical and abstract views on war, politics, art and interpersonal relationships.

A suicidal teen develops a candid rapport with the student from Shanghai assigned to watch her in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship and alters their inner chemistry.

A man blows balloons until they burst and thus expresses his accumulated aggression.

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

L'amour (love). La mort (death). Two French words that could confuse a foreigner, but never a native. Messenger V writes for a company that sends out both love letters and death sentences. After going into work one day, she finds out her assigned recipient is her lover.

Impressions of a turbulent period in youth.