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FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/we-live-in-time-review-a-bittersweet-reflection-on-lifes-fleeting-moments/ "We Live in Time is a testament to the power of cinema that transcends the simplicity of its story with a moving, complex approach to the central themes of human existence. John Crowley and Nick Payne deliver a narrative where form and content harmonize, using a nonlinear structure not as a mere stylistic gimmick but as an invitation to reflect on how time, memories, and personal choices shape who we are and who we love. With sublime, heartfelt performances from Andrew Garfield and Florence Pugh, audiences are guided through a delicate, authentic study of love, loss, and the fragility of our connections. In the end, it leaves a bittersweet feeling: the remembrance of the fleeting beauty of shared moments and the inevitability of time that shapes and erodes everything." Rating: A-
Suffice to say that "Tobias" (Andrew Garfield) isn't having a good day. He is sitting alone in an hotel room without even a biro to sign his newly arrived divorce papers. He sets off to rectify that but en route back unexpectedly (and painfully) encounters successful chef "Almut" (Florence Pugh) before he awakens, in a fetching neck-brace, in an hospital corridor. That's the tentative beginning for what becomes quite an engagingly portrayed love story that manages to marry quite a bit of humour with some tragedy, tension and toilet-floor activity as we are presented with two characters who might resonate with the viewer more than many. The story itself isn't really anything new. What makes this work is the dynamic between Garfield and Pugh. His is a more understated role, her's the more forceful - but both complement the other really quite effectively as the threads of their respective stories and of their burgeoning relationship are quite poignantly interwoven into a current timeline that has already pretty much telegraphed the inevitability of the denouement to us. It's that chemistry that rings true and even though the travails are rather piled up on the couple, their solutions to many of their issues are plausibly played out amidst some affection, temper tantrums, selfishness, tears and fine dining. Lee Braithwaite appears sparingly but quite usefully as her commis "Jade" who manages to allow us all to take the occasional breather from the increasing intensity of the plot, but essentially this is a two-hander that tugs gently at the heart-strings, but is not a film that oozes sentimentality. Always crack an egg on flat surface!
"_I'm worried that's there's a very distinct and real possibility that I am about to fall in love with you._" I am not a fan of stories that keep jumping back and forth in time, but this does it well. It keeps me on my toes when it comes to relaxing and feeling sad, and I guess that's the point. The last scene had me gulping down some water.
The story of an emotionally detached backup dancer named Athena, who must return home to Florida to help care for her estranged father, Jack, after he gets diagnosed with cancer. There she must contend with Jack’s irresponsible lifestyle while looking after six year old Honey Bunny who is only beginning to grasp the err in Jack’s ways.
Two enigmatic figures with code names, Costello and the Colonel, bound seemingly by some mysterious revolutionary past, engage in an intense conversation concerning the architecture surrounding them, with possible catastrophic consequences.
A grieving mother who suffered the tragic loss of her daughter must decide if she can provide a loving home to a child who's lost her parents.
Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.
Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.
Yamin and his struggles with loneliness and isolation. His little brother, Dhamin, helps him to find some solace through their shared love of drawing. However, Yamin still feels the need to leave and find his own way in the end. It's a touching story about the power of connection and creativity.
As Anna and her girlfriend Mia spend their last hours together before Anna sets off to leave Milwaukee to join the Peace Corps, Mia is troubled by her departure.
A young woman got a sweet surprise from her boyfriend: a trip to Seoul with her two besties who love K-Dramas much like herself. She had lots of fun, things are going so well. That is until she accidentally reunites with a past lover who never left her heart. Will this be a real-life K-Drama situation in the making?
Nightclub manager Darnell Wright is a perpetual playboy who is almost as devoted to his job as he is to the pursuit of beautiful women. After he sets his sights on the ultra-classy Brandi Web, he launches an all-out assault to win her heart. Ultimately, charm, lust and passion prevail, but Darnell learns the hard way that when you play, you pay. Brandi is much harder to get rid of than she was to get-especially when she realizes that she has a rival vying for Darnell's affection. When he finally decides to call it quits, Brandi becomes an obsessed femme fatale stalking the new love of her life.