Queer 2024 - Movies (Mar 16th)
The Glassworker 2024 - Movies (Mar 15th)
Niko Beyond the Northern Lights 2024 - Movies (Mar 15th)
Die Alone 2024 - Movies (Mar 15th)
Joe Crist 2024 - Movies (Mar 15th)
Bagman 2024 - Movies (Mar 15th)
Mystery Island Winner Takes All 2025 - Movies (Mar 14th)
Racing Mister Fahrenheit 2024 - Movies (Mar 14th)
The Quiet Girl 2024 - Movies (Mar 14th)
Warden 2025 - Movies (Mar 14th)
The Electric State 2025 - Movies (Mar 14th)
Borderline 2025 - Movies (Mar 14th)
Bill Burr Drop Dead Years 2025 - Movies (Mar 14th)
High Rollers 2025 - Movies (Mar 14th)
Anthony Rodia Totally Relatable 2024 - Movies (Mar 13th)
Mickey 17 2025 - Movies (Mar 13th)
Silent Zone 2025 - Movies (Mar 13th)
The Parenting 2025 - Movies (Mar 13th)
Control Freak 2025 - Movies (Mar 13th)
Fierce Killer Marsupial 2024 - Movies (Mar 12th)
Goldilocks and the Two Bears 2024 - Movies (Mar 12th)
Kiff - (Mar 16th)
1923 - (Mar 16th)
Nine Bodies in a Mexican Morgue - (Mar 16th)
Big City Greens - (Mar 16th)
SpongeBob SquarePants - (Mar 16th)
Gladiators - (Mar 16th)
The Tommy Tiernan Show - (Mar 16th)
A Secret to Die For - (Mar 16th)
Murder by the Sea - (Mar 16th)
The Beat with Ari Melber - (Mar 15th)
The Last American Vagabond - (Mar 15th)
Our Dream Farm with Matt Baker - (Mar 15th)
Portugal with Michael Portillo - (Mar 15th)
The Sunday Show with Jonathan Capehart - (Mar 15th)
The Kitchen - (Mar 15th)
Match of the Day - (Mar 15th)
Vince - (Mar 15th)
Alex Witt Reports - (Mar 15th)
Would I Lie to You - (Mar 15th)
The Complaints Bureau - (Mar 15th)
Blood and Gold could have had more promise, were it not for the weight of the usual, woke narratives. Turning ordinary German housewives and farm girls, into evil Nazi patriarchy, freedom fighters, with a cowgirl vibe, is not terribly plausible, when faced with battle hardened SS soldiers. Action wise, this flick its reasonable.There are well choreographed fight scenes, especially in the first half of the film. Acting is decent too and the main characterisations are reasonably well constructed, with believable motivations. In summary, a pervasive sense of implausibility, robs this film of the opportunity to represent anything, remotely close, to cinematic "gold". As it stands, its a moderate watch, with decent action to keep the viewer entertained, if you can look beyond its revisionist shortcomings.
When in 1941 Nazi Germany invaded the Soviet Union, their troops quickly besieged Leningrad. Foreign journalists are evacuated but one of them, Kate Davies, is presumed dead and misses the plane. Alone in the city she is helped by Nina Tsvetnova a young and idealist police officer and together they will fight for their own survival and the survival of the people in the besieged Leningrad.
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.
An elderly businessman (Frank Morgan) plans what he thinks is an innocent night on the town while his wife is away. Instead, he finds himself involved in a showgirl's murder.
The crew of a submarine is trapped on the sea floor when it sinks. How can they be rescued before they run out of air?
Story of the life of Quentin Crisp, an Englishman who was brave enough to live his life according to his own style even in the hostile days of WW2.
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.