Dobro uštimani mrtvaci

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Buried Land tells the story of ordinary people attempting to realize a dream. Two actors cut a path through the real community and strange reality of Visoko, the small town at the heart of a remarkable claim: the discovery of ancient pyramids, not in Egypt, but central Bosnia. Emir is a Bosnian émigré, removed during the war and now struggling to rediscover his homeland.

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

Austrian journalist asks her editor to send her to Bosnia and Herzegovina in order to investigate disappearance of girl.

Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.

The action of the film follows the artist who, since the girl left him, lost his inspiration.

It's cold up on Mount Manjaca. "In the winter it snows, there's nowhere to go," says the central figure in Celebration. "We have to wait until someone comes to clear the road. Sometimes they come, and sometimes they don't." He diligently ploughs the knee-high snowdrifts as the wind howls at his ears.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

Three intertwined stories about Serbian truck driver who is involved into drug trafficking without knowing, Czech family who live by the road which makes them a lot of troubles since many cars crash into their house, and a bus full of Swedish grannies who go on a Trans-European package holiday.

The war has ended. Villages of Bosnian Croats have been destroyed, and they are living in the homes of the Croatian Serbs. An old man, a Bosnian Croat, disappears. A policeman Filip, himself living in a Serbian home, investigates the case uninterestedly. Through the relationship with his father, Filip tries to understand the motives of the missing old man. As the film moves towards the end, Filip’s investigation becomes more and more personal.