Marooned Awakening

A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don't share a language, they grow close through their grief.

At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting

Leonid Pleshcheyev returned from the war blind. Against his will, he became a dependent. He drowns his grief in unrestrained drunkenness, thereby tormenting his wife Mariya and his teenage son Lyonka. Mariya finally decides to take her son and leave for Altai, but the boy runs away and returns to his father. So, together, they eke out a half-miserable existence until Grigoriy Shalagin, Pleshcheyev's longtime friend, returns from the army. It is he who awakens in Leonid the extinct self-esteem and pride of a soldier. Pity aside, he helps him get back to work.

A window into the broken soul of Bruce, battling long-term depression and the culmination of events leading up to the tipping point of his bottled up shame, guilt, and self-destruction.

In a secluded cove on the South African coast, a middle-aged writer grieving the deaths of his wife and daughter is drawn into an affair with an alluring teenage girl who is grappling with demons of her own, in this gripping psychological thriller adapted from the award-winning novel by Alistair Morgan. (TIFF)

A young couple's marriage is jeopardized by the husband's descent into alcoholism.

A teenage boy is home alone for the weekend but when nocturnal creatures living in his attic escape, he must survive.

A young African American man, reeling from the tragic loss of his wife, travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief over her daughter's death.

Termini Station is a Canadian made drama, released in 1989 and directed by Allan King. The film stars Colleen Dewhurst and Megan Follows as Molly and Micheline Dushane, a mother and daughter living in a small Northern Ontario town. Molly is an alcoholic, which creates tension between her and Micheline and inspires Micheline's fantasies of escaping her stifling small-town life. The cast also includes Gordon Clapp and Debra McGrath as Molly's son and daughter-in-law. Termini Station was the only film besides the Anne of Green Gables movies in which Follows and Dewhurst worked together. The film was nominated for six awards at the 11th Genie Awards, including Best Picture and Best Actress nods for both Dewhurst and Follows. Filmed on location in Kirkland Lake Ontario.

Susannah and Jesse Stanton divorced two years prior with three children. When Susannah starts dating a lawyer, the children decide to find someone for their father, sending a letter to a popular magazine called Alaskan Love. He receives a large number of responses, but the children later feel that his perfect match is Susannah, and they try to arrange a plan to bring them together.

Mad with grief after the death of his Kiowa wife, Roe awaits death under a tree with her body beside him. She begins to haunt him because he won't bury her. His father, who bought him the wife, thinks her sister might reason with Roe.