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Alternative “family” structures have been around for some time now, and they’ve assumed a variety of forms, both domestically and overseas, as well as in their essential composition. And, in a number of cases, it has taken some trial and error to figure out what works best for these diverse groupings, depending on the various factors that characterize the individuals involved. Such is the case in this profile of a multi-ethnic, mostly LGBTQ+ household in Skopje, North Macedonia that struggles to find a harmonious footing when stricken by a tragedy involving a family matriarch (Alina Serban). Those left behind (Anamaria Marinca, Vladimir Tintor, Samson Selim) must figure out how to regroup, particularly when it comes to the care of a belligerent adolescent (Mia Mustafa) and her sweet, young, surprisingly worldly half-sister (Dzada Selim). It’s especially challenging for those in charge, given that they’re not terribly experienced at (nor overly interested in) the responsibility for such matters. They truly find themselves engaged in a crash course of “housekeeping for beginners,” one that finds them with one foot each in the middle class world of Skopje and in the impoverished world of nearby Shutka, an enclave of Roma (a.k.a. “Gypsy”) culture. Writer-director Goran Stolevski’s third feature outing provides an intriguing look at life in locales that have not received much cinematic attention, depicted through the eyes of an eclectic mix of characters living lives far different from what one typically finds in most conventional households. This domestic comedy-drama gets off to a somewhat rocky start, mainly due to a failure in identifying the nature of the relationships among the principals, and a narrative that can be rather episodic at times, with resolutions to its multiple story threads that feel incomplete or end abruptly (most notably in the final act). Viewers probably would have benefitted from some additional information about the ethnic backgrounds of the characters, too, given that many viewers are likely unfamiliar with the cultures involved. However, once the picture starts settling down and finding its rhythm, this release definitely gets stronger and more involving as it progresses, touching audiences profoundly, given that the situations that arise are often universal in nature, no matter what structure a family unit takes. “Housekeeping for Beginners” definitely has its strengths and touching moments; it’s a little disappointing, though, that there aren’t more of them. Greater clarification and consistency in the storytelling would have done this offering a world of good in its depiction of a world otherwise seldom seen.
After being bitten by a mysterious bug, a pessimistic writer suffers a dramatic transformation while falling in love for the first time.
Greg and Alessandro are in the bedroom, looking at one another. The feeling of guilt and nostalgia of that moment may forever mark their lives, but it's only a gateway to allow love to walk freely amongst them. They look at one another. They feel one another. They love one another. Regardless of the unrevealed pictures or the unwritten songs.
Manu, a trans immigrant, must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
Three loosely related stories about love, loneliness and desire, held together by one central event (a train accident) that sets these characters in motion. Andrew Lin Hoi is a mainland tour guide who’s stranded in China when the accident happens. He was supposed to pick up his visiting girlfriend Gigi Lai, but instead he gets stuck in a hotel where a Category 3 film is being filmed. There he strikes up a quick connection with the leading lady, who offers him a role in a graphic love scene with her. Meanwhile, Gigi has arrived in HK only to find herself alone with no one to turn to. Depressed and despondent, she takes comfort in the attentions of a lonely older man played by Patrick Tse Yin. The third and most interesting affair occurs between taxi driver Ben Ng and mainland hustler Wong Hei. The two hook up outside the train station and fight and fume in between steamy couplings.
Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.
Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family.
Brotherly love goes too far when Feng gets his twin sister pregnant while both of them are still in high school, creating a problem that's bigger than both of them. Convincing his gay friend Le Le to take the blame seems like the best option.
The story of Dylan Pettersson, a 23-year-old girl from a small island in the Swedish archipelago with big dancing aspirations.
Two Navy fighter pilots find themselves in the midst of a forbidden relationship throwing their lives and careers into disarray.