Singing in My Sleep 2024 - Movies (Jan 13th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Ghost Cat Anzu 2024 - Movies (Jan 13th)
Daniel Sloss Hubris 2024 - Movies (Jan 12th)
The Room Next Door 2024 - Movies (Jan 12th)
Polar Opposites 2025 - Movies (Jan 12th)
Moon Maidens 2 2024 - Movies (Jan 12th)
Putin 2024 - Movies (Jan 12th)
The Last Showgirl 2024 - Movies (Jan 12th)
Behave 2024 - Movies (Jan 12th)
The Darkening Hour 2024 - Movies (Jan 12th)
The Death That Awaits 2024 - Movies (Jan 12th)
Watchmen Chapter II 2024 - Movies (Jan 12th)
The Gardener 2025 - Movies (Jan 11th)
Absolution 2024 - Movies (Jan 11th)
Bank of Dave 2 The Loan Ranger 2025 - Movies (Jan 11th)
A Complete Unknown 2024 - Movies (Jan 11th)
Engaged by Christmas 2024 - Movies (Jan 10th)
Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
Get Away 2024 - Movies (Jan 10th)
Back Roads - (Jan 13th)
Watch What Happens Live with Andy Cohen - (Jan 13th)
Married to Medicine - (Jan 13th)
The Real Housewives of Potomac - (Jan 13th)
Darby and Joan - (Jan 13th)
Americas Funniest Home Videos - (Jan 13th)
60 Minutes - (Jan 13th)
The Good Stuff with Mary Berg - (Jan 13th)
LIVE with Kelly and Mark - (Jan 13th)
The Last Socialist Artefact - (Jan 13th)
The View - (Jan 13th)
TMZ Live - (Jan 13th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
An ex-boxer desperate to connect with his only son gives him a gift on his 21st birthday that will change their lives forever.
The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.
Mervi is a gay girl living in the hipster quarters of Helsinki. She has been together with Kata for a year, and now they are encouraged by the circumstances to come out from closet. When they do, Mervi realises that she is not the only one in her family with secrets – her parents have been living in an open-bisexual-swinger-relationship for 20 years. On the other hand Kata is pretty surprised that she might be living with a hetero girl that once was dating a neo-nazi. And the ex-boy friend cannot swallow that Mervi is now with a person both of wrong color, and sex. The real threat appears when Kata’s parents arrive from Berlin and the local skinhead chief finds out that a black muslim celebrity politician has arrived to town.
A young French Canadian, one of five boys in a conservative family in the 1960s and 1970s, struggles to reconcile his emerging identity with his father's values.
After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
Roberto Faenza's Nouvelle Vague-inspired graduation film at CSC, shot in 1964 with a then-unknown Raffaella Carrà in the lead role.
Set in rural America a father discovers his young daughter dead of fever. Knowing her death was inevitable due to her illness; he is at first devastated but quickly realizes that he does not want his fragile wife to see that the girl has passed. While composing himself he decides to hide the girl in the barn so he may prepare his wife for dire news. But after approaching his wife in the kitchen he is unable to face her with the death of their child.
In the vein of Raymond Carver, this abstract monologue captures the hidden truth behind our personas. What happens when you “see” a person for the first time? No walls up, a real face emerges.