Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Gotta feel for this due to the later emergence of 'The Shawshank Redemption' and even 'Prison Break', but 'Escape From Alcatraz' still merits its own props as a great film. I love a good prison escape flick, shown by my love for those two aforementioned productions which do improve on the formula; TSR - one of my favourite films, fwiw - particularly must've took a lot of inspiration from this, I noted a fair few similarities. With the cast, you have an excellent performance from Clint Eastwood. Patrick McGoohan fits his role nicely, while Paul Benjamin and Larry Hankin are the best of the rest. I would've liked more development for the characters of Fred Ward and Jack Thibeau, who felt a little tacked on. Elsewhere, Danny Glover makes his acting debut in a tiny, tiny role. I found the pacing to be very good, sure the story I guess is obvious in terms of its direction but I still got tense and edgy whilst watching the escape take place. The ambience of the film is a positive too, with the exception of one moment early on where there's an overly on the nose lightning strike as one of the characters mentions Alcatraz - nothing major, it's a nit-pick and it's my only one so that's a big plus. Interesting to note this was the final collaboration between Eastwood and director Don Siegel, take out 'Coogan's Bluff' and that was an extremely effective partnership - this 1979 release and 'Two Mules for Sister Sara' being my favourites.
Seen this one several times and still is a well done and straight forward, well shot, escape-thriller with fine performances all around. Nothing fancy and just enough character development to make you care. **4.0/5**
Clint Eastwood is at the top of his game in this thriller. He is bank robber Frank Morris, Incarcerated in one of America's most impregnable prisons, under the menacing gaze of warden Patrick McGoohan. He quickly concludes that he has little left to live for but escape. Together with twins Clarence and John Anglin (Fred Ward and Jack Thibeau) he puts together an intricate plan to escape their prison by using the utility tunnels to escape the complex then some makeshift inflatables to get across San Francisco bay. The facts of the story mean the ending is never in doubt - insofar as we actually know what the ending was/is! Now that rather detracts from any sense of jeopardy with the screenplay, but is one of the aspects that make Eastwood all the more compelling - his meticulous planning, ingenuity and sheer perspicacity is enthralling - ok, at times a little slow - to watch. He has to deal with the odd internal fracas, most notably from "Wolf" (Bruce Fisher) who would have some fun with him, if you get my drift... but none of that detracts him from his goal. Aside from this mission, Don Siegel offers us quite a detailed glimpse into life behind bars towards the end of this crumbling building's life; and we are exposed to the relentless tedium and despair of many which engenders some sympathy - however evil they may have been to be sent there in the first place. What Siegel doesn't really do, though, is use McGoohan to much effect. His usual less-is-more style of performance is certainly here, but all to infrequently to really build an sense of menace. Still, it's Eastwood's film and he is great...
In real life, Kwon Yoo is unemployed, but in the virtual game world he is the best leader. Kwon Yoo is then framed for a murder. With the help of hacker Yeo-Wool, he tries to uncover the truth behind the murder case.
Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...
A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys' home known as The Island. Juhani has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula can truly be.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
When a young social recluse stumbles onto a series of unsolved cold cases he finds himself pulled deeper into society's dark underside and must face his own demons to learn the truth.
This lengthy docudrama records the harrowing conditions at the Confederacy's most notorious prisoner-of-war camp. The drama unfolds through the eyes of a company of Union soldiers captured at the Battle of Cold Harbor, VA, in June 1864, and shipped to the camp in southern Georgia. A private, Josiah Day, and his sergeant try to hold their company together in the face of squalid living conditions, inhumane punishments, and a gang of predatory fellow prisoners called the Raiders.
Rogue Trader tells the true story of Nick Leeson, an employee of Barings Bank who-after a successful trading run-ends up accumulating $1.4 billion in losses hidden in account #88888.
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
