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I hadn't seen this film in decades, but a rewatch showed it still packed an over-the-top punch. Jack Jones is pop singer Nick Cooper, who has been on a six year hiatus from recording at the insistence of his wife Gail (Holly Palance). The couple has just divorced, and Nick decides to go back to recording for music executive Webster (David Doyle). Gail? Oh, Gail is savagely murdered in the estranged couple's London penthouse by a killer with a small scythe and sporting an old woman mask, and no one is around to find her body. Nick is put up in an English country house where the servants Mr. and Mrs. B (Bill Owen and Pete Walker regular Sheila Keith) are taking care of the estate while it's owners are on a year-long cruise. The Bs are an odd couple, but Nick takes to the house's isolation and starts recording. Nick also takes to Linda (Pamela Stephenson), Webster's secretary. The two begin seeing each other, as Gail's body decomposes in the penthouse, almost getting discovered on a couple of occasions. Red herring suspects in the murder increase with the introduction of Harry (Peter Turner), Nick's creepy go-fer. Nick begins having nightmares, and the hallucinations turn real as someone wants to either drive him insane, or kill him off themselves. Although I had not seen this in many years, some scenes still stuck with me: the murders are gory, a surprising cast member's character is a cross-dresser, and there is an instance of tree vandalism. What I didn't remember is how good a job Jones does despite some convenient filmmaking cheats. When Nick sees a gory sight, he runs away from it or hides, giving the body or body part a chance to disappear. Jones plays his role well, sporting a nice delivery whether singing or reacting to the craziness around him. Stephenson, Doyle, and Johnson provide ample support. Sheila Keith is always good in these roles, but I dare you to shake her similarity to Robin Williams' Mrs. Doubtfire. Now that I have mentioned it, that is going to be all you think about when she is onscreen. Walker is known for his crazed exploitation (I saw "House of Whipcord"), and he is given ample opportunity here. The description I have read about the film, that Nick's ex-wife haunts him, isn't really true, although there is a supernatural element tossed into this glossy slasher flick, which will remind you of everything from "Curtains" to any other slasher film of the late 1970's and early 1980's. The story does drag a bit in the third act, and I probably would have figured out, and remembered, the climax if I had thought about it a little more. Horror fans will want to seek it out, some parts of this have to be seen to be believed. (R)- Strong physical violence, gore, some profanity, brief nudity, some sexual content, sexual references, some adult situations, alcohol and tobacco use
A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.
An English pianist living in Rome witnesses the brutal murder of his neighbor, a psychic. With the help of a tenacious young reporter he tries to discover the killer using very unconventional methods, and the two are soon drawn into a shocking web of dementia and violence.
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.
A group of true-crime podcasters travel back to the scene of the Darien Cross cult killings to investigate what really happened a decade ago during the events of the first film.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...
In 1957, Dorothy and Edmund Yates were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy's case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie, try to discover just how far Mother's bloodlust has taken her. Meanwhile, youngest daughter Debbie begins to explore the crazy roots of her family tree as fully as possible.
As his wedding day approaches, a nervous groom reluctantly joins his childhood friends at a wild bachelor party organized by his overbearing best friend. However, the festivities turn into a night of terror when a psychotic killer starts hunting them down, forcing the group to confront their deepest fears and fight for their lives in a desperate struggle for survival.
A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.