旗本退屈男

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

An Edo appointed official Baba must ensure the safe delivery of shogunate funds to Kyoto.

The film tells about a young detective Zenigata Heiji who successfully solves a disgusting and unusual case involving the manufacture of counterfeit money.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

A single bullet cuts through Kyoto in the last days of the Tokugawa shogunate right before the restoration of imperial rule. Who plotted to assassinate Tokugawa Yoshinobu, who is about to become the last shogun of Japan? Was it the faction wanting to overthrow him or the rebels within the shogunate? Mutual enemies Sakamoto Ryoma, the wandering samurai, and Hijikata Toshizo, a deputy leader of the Shinsengumi and vassal of the Tokugawa clan, receive a secret order to track down the culprit. They are given a mere two days.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A pair of black-robed thieves who robbed many wealthy merchants in Edo one after another. One of them is a young woman who is called "Aoi no Kozo" because she always takes off her skin to show the tattoo on her back. The target of the robbers was the Kogi, and in particular, the big stores that were under the control of Hotta Bizen. Itami Hanzo, a Doshin known as "Kamisori Hanzo" discovers when he tracks down the Aoi no Kozo! What is the truth?!