War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
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One Killer Question - (Mar 29th)
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I watched much of this convinced that Treat Williams was a very young Tommy Lee Jones, and despite the look of the film dating, it's still quite a potent and entertaining look at life amidst the draft. The rather naive "Claude" (John Savage) arrives from his home in rural Oklahoma into a New York brimming with vibrancy and eccentricity. He's on his way to join up to fight in Vietnam when he encounters "Berger" (Williams) and starts to fall into a life of gentle hedonism leading to his love of "Shiela" (Beverly D'Angelo). She and "Berger are from different sides of the tracks, but despite her silver spoon she has quite a rebellious nature and very much embraces her hippie existence protesting the war whilst stoked up on weed, emotion and idealism. They only have a few days, but in those days their relationships develop, thrive, vacillate and ultimately Milos Forman presents us with a quite subtly scathing commentary on a mid-1960s USA. I still think this works better on the stage - the confined space there forces the characters and scenarios together better, but this is still a strong big-screen adaptation that allows the music and dance numbers to retain much of their punch. The characterisations run deep too with plenty of their gang having slightly more than bit parts to complement the thrust of the burgeoning romance. It's perhaps that that lets this down a little. The pair are rarely seen together and the portrayal of their "love" is a wee bit on the shallow side. Musically, there are more than a few familiar numbers to keep the pace rollicking along, and perhaps the fairly explicit nature of some of the lyrics explains why this did rather better on the European Awards circuit than it did in the USA (or the UK). "Aquarius", "Good Morning Starshine" and the title song are maybe the most memorable but there are plenty more to get our teeth into as the rawness of the original Gerome Ragni book is framed within a cityscape dealing with racism, homophobia and just about everything to preclude the concept of "free love" (or even creatively inexpensive love). It's holding it's relevance quite well and is well worth two hours.
A hypochondriac irks his partner by embracing the advice of an eccentric healer.
Kōhei is a former competitive swimmer who lives an ordinary life with his wife and high school daughter. One day, his wife suddenly asks him for a divorce. He then has a fateful encounter in Tokyo’s gay district, Shinjuku Ni-chōme, with a beautiful boy named Yūtaka. Yūtaka dreams of becoming an animator while working as an online chat boy. At the same time, he is struggling to tell his father that he is gay. They are both confused but eventually become attracted to each other. Then, they have sex. One day they make love, and the next day they hurt each other. Through these emotional ups and downs, their relationship grows deeper and deeper.
A moving comedy-drama about the love, identity and courage of the LGBTQ community during the first walk towards Gay Pride in 1950s England. Based on the real-life events of Yorkshire coal miners and secret gay lovers, Tommy and Eddy, who spend their annual week holiday at a quirky B & B in Blackpool, along with a few other alternative members of society – the transgender Mr. Elbridge, the ex-show girl Red Ethel and the eccentric owner Gladys and her flirty daughter Maureen.
A young engineer on holiday gets involved with a boy who has a strange relationship with the wind. Their close friendship arouses suspicion in the small town. When the boy disappears, the engineer is accused of murdering him.
Two visionary talents, playwright Jack Thorne and director Matthew Warchus, offer a magical new interpretation of Charles Dickens’ classic story. This timeless—and timely—tale of redemption welcomes theatergoers of all ages into an immersive experience that’s brimming with Christmas spirit, with dazzling staging, moving storytelling, and 12 of the most cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear.”
In 1987, Billy Joel took his family, his music and his concert show to the former Soviet Union. This feature-length documentary film looks back at the triumphs and difficulties encountered in creating the first fully staged rock 'n' roll show in the USSR. Directed by Emmy(R)-winning documentarian, Jim Brown.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with it’s star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.